I’m pretty ok with Yozakura Quartet getting its second crack at TV anime this season. It’s a series with a lot of potential; if nothing else, the power to produce machine guns out of thin air that fire when you say bang-bang is a unique one. But the manga is a repetitive criminally slow-paced monthly, the first anime was a hopelessly melodramatic show that failed to top 1000 in average volume sales, and the second, OVA-based anime was a thinly-veiled sakuga showcase. It’s a series that definitely could get over the hump, and clearly people care enough to keep trying.
But why? I’ve got no financial explanation. Given that its season 1 sales were less than borderline and the OVA failed to chart, the fact that it’s still getting anime is impressive and puts it in a very small circle. It’s not that the new series has been promoting the manga like a Blue Exorcist or an Inu x Boku SS either; the 7th volume in 2009 and the 13th volume in 2013 logged near-identical 70,000 volume sales totals. The most popular installment on myanimelist is only about 800th in popularity, so I doubt it’s even a max-money license show. It’s probably one of the 5 or 10 least explicable sequels to be made in the past 10 years. If I ever find out an definitive answer to this question, even if that answer is “passion project funded by the mangaka or the studio”, expect that to be its own article. But right now, there really isn’t one.
Pingback: Sell Me in 20 Minutes: Walkure Romanze, Yozakura Quartet: Hana no Uta, and Gingitsune | Animetics
Pingback: Fun With Numbers: Explaining Yozakura Quartet’s Second Season | Animetics