So Photo Kano ended up being a study as to why scriptwriters are necessary even for skilled directors. The visual sense in that show is excellent, and fits the main character’s story very well, but the script is a bunch of torrid rust. I’m willing to bet Akitoshi Yokoyama had full control over the situation to the extent that nobody with veto power could come up to him and told him some of his story ideas were really, really bad. Even Masaki Yuasa’s name in a cutaway bit can’t save that script. I would watch another thing of his, provided his next producer keeps him 10 kilometers away from the script.
Moving on to shows that actually have me interested, I really like where Devil Survivor 2 is going. After a mediocre first episode, it’s been picking up the pace by laying down a layer of intrigue, setting up fast-moving, area-conscious fight scenes, and pumping up on drama. Thus, I’m making my hop right back on the ol’ rock-steady Kishi Seiji bandwagon.