I’m watching a couple things from winter, for anyone curious about stuff like that.
Author Archives: torisunanohokori
Fun With Numbers: Crunchyroll Manga’s Uncertain Future
Roughly one week ago, on January 23rd, Crunchyroll announced it was licensing a Shonen Sirius-run manga adaptation of the Persona Q game. Beyond the series itself, this announcement was significant for a pair of reasons. First, it broke what was a near-record dry streak for the company’s service since it announced the Maga-Tsuki license on November 25th of last year. This dry streak is the second longest in the history of the service, short only of the 71-day gap between its launch on October 26, 2013 and the addition of three Futabasha titles on January 6, 2014, a period presumably taken up by serious negotiations on the business side. Since that first additional partnership, the service has expanded to include titles from Shonen Gahosha, Leed Publishing, and Cork, and new licenses had steadily rolled in through the first three-quarters of 2014 as a result (you can check which series were announced when here). However, since then, the service has cooled down a bit; only 3 titles (Maga-Tsuki, Days of the Dam, and PQ) have been added in the past 4 months, and the gaps between those licenses were 56 and 41 days. Without Maga-Tsuki in the middle, it’s CR Manga’s longest dead interval by about 20 days.
The second item of interest that can be found in this announcement is that it comes on the heels of Crunchyroll restructuring how the subscription model for manga would work. Instead of being a separate service costing $40/year or a $40/yr upgrade from a $60 anime membership to a $100 to all-access membership, it became a complimentary feature of the anime membership. This was followed by another announcement that the service would be losing all of its K-dramas, cutting its drama offering down to a third of what it was.* There are a lot of ways to spin these moves, but one definite effect is a sharp decline in the value of a CR all-access membership, one that will likely see the majority of those who have all-access dropping down to less-costly anime subscriptions. That doesn’t necessarily mean less money for CR as a business; theoretically, the added value of manga *could* result in additional subscriptions from people on the fence about subscribing who needed a little extra motivation to make the decision to buy in. The more worrying thing is that this could be something of a desperation/stopgap maneuver, which could be a bad thing both for CR and, more importantly, for the future of simulpub manga.
Fun With Numbers: February 2015 Amazon Data (Initial Numbers)
First-look US Amazon anime release data for the upcoming month of February 2015, taken on January 26. Couple of previously-seen titles ranking better than 5000th right now (One Piece, Sailor Moon), while Space Brothers languishes in the dead zone. 😦
Fun With Numbers: Myanimelist’s Sequel Problem Should and Can Be Fixed
If you’ve looked at the myanimelist Top Anime list recently, you’ll notice that it contains anything but an even distribution of franchises across time. As of this writing, 14 of the top 30 come from the past 5 years, and 9 of the top 60 were pieces of animation which aired last year. The 2010-2014 period saw a lot of anime being produced, but as impressive as that amount was, it was hardly 45% of the historical total. Obviously, these rankings have a decently strong recency bias, skewing somewhat heavily towards newer anime. That in itself it perfectly fine. These rankings aren’t meant to be a paragon of good taste, but just to accurately represent how the site’s large userbase as a whole feels about them. This recency bias is a product of several factors: the site’s young userbase, the increasing number of anime being produced (and becoming available via simulcast) in recent years, and (possibly) a change in the quality of the on-screen product. In other words, it’s a product of the value accurately representing what it’s built to measure – overall popular consensus.
The same cannot be said for the same rankings’ strong preference for sequels. Not counting the two which are full-on retellings (FMA: Brotherhood and HxH 2011), 14 of the top 30 are either a continuation or a spinoff of a pre-existing franchise. This sequel bias, a product of non-fans tending to drop a show while fans almost always continue, actively interferes with the pure score’s ability to represent what the average viewer likes, as there is not a single sequel that gets watched by an average sample of the anime-viewing population.
Done Scanning Anime Insider!
With the April 2009 issue, I’m officially done going through the entire 67-issue run of Anime Insider. I uploaded everything I found interesting, focusing in particular on interviews with people involved directly in anime and manga production. I’m keeping the magazines in case I ever need to rescan anything or double-check contents, but this’ll probably be the end of me scanning articles for a few months.
Anime insider ran for 67 issues and ended in April of 2009, but issue 68 *was* planned (including the cover below and an interview with Takashi Miike), but the magazine was cancelled before that could be published.
Via Anime Insider: Muneyuki Kanbe (April 2009)
Producer Muneyuki Kanbe talks about Monochrome Factor.
Via Anime Insider: Jamie McGonnigal (April 2009)
A short interview with US VA Jamie McGonnigal.
Via Anime Insider: Hisashi Koinuma (April 2009)
An interview with Dynasty Warriors: Gundam 2 producer Hisashi Koinuma.
Via Anime Insider: Hiro Mashima (March 2009)
An interview with manga author Hiro Mashima.
Via Anime Insider: Toshiyuki Kato (March 2009)
Director Toshiyuki Kato talks about the 4th season of Maria-sama ga Miteru.
