Brief comments on Wolf’s Rain from producer Masahiko Minami and composer Yoko Kanno.
An interview with Cowboy Bebop’s director/character designer/composer team. Contains a couple nuggets of information (Yoko Kanno was composing ost pieces a year before production started, Ein was modeled after Yoko Kanno, the “new genre unto itself” eyecatch quote was inserted into the show without Watanabe’s permission).
So a while ago I wrote about veteran Sound Director Katsuyoshi Kobayashi’s wizardly handling of Space Brothers’ audio. At the time, I had to look up his name on ann, but I didn’t check his specific creator page. The other day, I went back and finally did. It turns out this isn’t the only anime-of-the-decade candidate* he’s worked on with a director named Watanabe. In celebration of this individual who’s handled a number of sublime auditory anime experiences and yet has to date zero comments or favorites on his myanimelist page, I’m going to spend this column by talking about the musically crafted battle sequence to trump (almost) all others, the last 6 minutes of Cowboy Bebop.
(This post contains obvious ending spoilers for a 15-year-old show that you either have watched or will find yourself watching the moment you inform someone who has that you haven’t. So there.) Continue reading