Last week for the shonen/seinen bracket, I wrote about how shonen manga cleverly taught kids a variety of fairly useful life lessons. I originally wanted to start the shojo/josei series the same way, but the “shonen/seinen/shojo/josei is not a genre” frustration stuck me at the right time and before I knew it I had an article. But there’s plenty of juice left in this battery, and 2 weeks left in the first round of competition. Let’s get to it.
There’s one theme I’ve noticed which shows up a lot in shojo manga (and still quite often in josei manga). Call it peer adversity, bullying, social stress, or whatever, but it’s fairly common for the lead character in manga targeted towards women to be on the receiving end of nasty treatment by her peers. They way different characters respond is a study in variety, and while my experience with shojo manga is by no means exhaustive, what I see shows me a medium with a mission of teaching women young and old how to cope and fight back.
Last week set up for a massive, large-scale confrontation between Arata and Kadowaki as an ostensible climax of the show. However, Arata had just entered an entirely separate hostile territory (the water god’s) at the time, so this confrontation was undoubtedly still several episo-
Keiko Suenobu’s Life is at the same time one of the most magnetic and most difficult* to read manga I’ve ever encountered, and incidentally probably the most justified winner of the Kodansha Shojo Manga Award since the shojo category’s inception in 1986. Both its difficulty and its magnetism come from its subject matter; a Japanese high school student dealing with social pressures, bullying, and uncaring parents who won’t listen when she tells them her tutor is blackmailing her.
Life is a dark manga that succeeds in being dismal in all the ways edgy action series often fail, featuring self-injury, severe depression, attempted rape, and attempted suicide very prominently. It’s an approach that works because the tone of the manga is very serious, in a way that’s somber rather than edgy. Suenobu isn’t trying to shock the audience, but to help them understand that the problems in the manga are very real for a lot of people (an approach augmented by the inclusion of blurbs by professional Psychologists at the end of each volume). This particular chapter is a prime example of why the manga as a whole is so utterly captivating while inducing so much emotional fatigue.