Fun With Numbers: July 2014 US Amazon Data (Initial Numbers)

Another month, another set of anime releases to track on amazon. Of particular note are Hetailia The Beautiful World (~5000th with 4 weeks to release, big US fan presence) and Deadman Wonderland (~3000th with 3 weeks to release). Those two have legitimate shots at the big charts, though any series should have to rank 500th or lower for multiple days to have a realistic chance.

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Animetics Podcast: The Winter 2013 Season

Live from what may or may not be a filing cabinet, we bring you the Animetics Podcast, a (presumably) monthly recording of our panelists jawing over various topics. If the very thought doesn’t scare you, you can download it from the following link:

http://www.mediafire.com/?dtwsd2810g366d0 (94 minutes, 85 MB)

In this inaugural episode, we’ll be talking about the Winter 2013 Anime season. This discussion is a two-pronged assault. First, we cover the shows we’re watching, trying hard but not too hard to stay on topic. Second, we discuss the season in historical context with recent previous Winter seasons, taking on the oft-disseminated “worst season of all time” rumors.

If you’re strapped for time or only want to follow a certain portion of the podcast, you can find each particular segment at the times listed below:

Tamako Market [0:50]

Maoyuu [5:58]

Blast of Tempest [12:13]*

Bakumatsu Gijinden Roman [17:05]

I Don’t Have Very Many Friends Next [20:07]

Sasami-san@Ganbaranai [26:42]

Cuticle Detective Inaba [32:38]

Senyu [35:40]

GJ-bu [41:12]

Koutoura-san [44:12]

Mangirl [54:00]

Problem Children [55:24]

Puchimas [58:32]

Vividred Operation [60:56]

The Unlimited [63:30]

Comparison with past Winter seasons [72:47]

Seasonal Charts We Used:

Winter 2010

Winter 2011

Winter 2012

Winter 2013

Winter 2011 full chart (w/ Madoka)

*Blast of Tempest is technically a Fall 2012 show. It’s in there mostly because Sam and I wanted to hash out a topic we had argued over the past week. One that I proved myself wrong about 2 days after emphatically declaring that studios didn’t really matter.