An interview with Bleach author Tite Kubo, touching on his approach to character design and how characters end up with theme songs.
An article on plot twists in Bleach that includes a short interview with US VA Kyle Herbert on the last page.
Another month, another set of anime releases to track on amazon. Of particular note are Hetailia The Beautiful World (~5000th with 4 weeks to release, big US fan presence) and Deadman Wonderland (~3000th with 3 weeks to release). Those two have legitimate shots at the big charts, though any series should have to rank 500th or lower for multiple days to have a realistic chance.
Compared to last and next week, this slate of releases was a bit small, containing 3 rereleases (Zombie, Shana, To Love) along with 2 new releases (Upotte, Bleach set 20).
As before, here’s the rankings up to this week in Aria the Natural part 2, featuring one total copy sold and the majority of days spent ranked 120,000th or higher:
Chart is date, rank, # in stock
The decline in rank seemed to slow down this past week. I would guess that, once you get to the 200,000s, you hit a point where there are a lot more shows that haven’t sold in a while or at all, leading to a slower advancement. At this point, I’m mainly following the ranks to see if the series can drop back into the 70,000-80,000 range with the next purchase that gets made, or if the long drought will have significant effects on the post-purchase rank.
Plots are posted after the jump.
Way back in December, I started a rough, bare-bones look at a bit of publicly available data; US Amazon TV/Movie bestseller list rankings for anime releases. That data collection is mostly done, pending K’s release this Tuesday, and it yielded some potentially interesting nuggets (expect that summary post to happen before this next weekend). Enough so that I plan to do the same at least for the month of March. This is a list of the releases I’ll be tracking over the next 30 days, with their release dates, prices, and initial rankings. All series were accessed via amazon’s upcoming anime releases page.
Two points before the list itself:
-I compiled my February list too early (several titles were only announced for release after I built my list), and missed the opportunity to track some releases that way. Since most titles tracked in the February sample were relatively steady and very low on the list until a week before release (save for Robotics;Notes’ ridiculously discounted edition), I’m going to start tracking monthly rankings approximately one week prior to the first set of releases from now on.
-The price I note is the series’ MSRP price. If the series becomes listed at more than 50% off that price at any time during the amazon solicitation, I will note that both now and during the final analysis. The February part 1 release of Robotics;Notes had such a discount.
This past year, viz media pulled off a first for the non-Japan manga industry. I’m referring to Shonen Jump Alpha, a digital “magazine” offering same-week release of the chapters of some 11 Weekly Shonen Jump manga. It’s pretty cool, and at 26$/year for 48 issues (and a buck per back issue), it’s not a totally unreasonable subscription fee. But that specific business model, one of same-week releases for official translations, is unfortunately not something that’s likely to be transferable to the majority of manga. Especially seinen and josei series with smaller fanbases. If you’ve ever wondered if the manga translation industry will catch up to where the anime industry is now with simulcasts, this article discusses the depressing reality of the situation and why such an outcome is relatively unlikely.
Arata Kangatari’s 7th episode was delayed this week thanks to a pan-Asian Table Tennis tournament, so I was going to write a post celebrating rapid-fire tennis comedy Teekyu. But a certain phrase kept popping up in that post, so I thought I’d address that first. And really, I’ve tossed around the terms “fast pacing” and “high energy” a whole awful lot over the past couple of months. I think it’s only fair I define both terms, since I’ll be using them a lot in the months to come.
If you know anything at all about manga, you’ve probably heard the name Weekly Shonen Jump before. Armed to the teeth with megahits like One Piece, Naruto, Bleach, and Toriko, it stands undisputed atop the manga industry. But did you ever wonder how that dominance came to be, or why it’s been largely unchallenged for upwards of 20 years? Here’s a hint: it’s no accident.