If there’s an inverse situation to not seeing a sequel to something you liked that you know was really popular, it’s getting a sequel when you in no way expected one. Disc sales are a pretty good indicator of when something is commercially viable enough to get a second season, but they aren’t the only factor playing in. There are a couple of consistent ways that anime with non-profitable sales wind up with more than one season, and that’s what I’m looking at today. Examination of the ones that did sequel reveals a rather unsurprisingly grim prognosis for fans of old, poorly-selling shows hoping that they’ll get more.
Last up this Saturday is a pair of mismatched sequels; one to a fun sports show that I expect is going to make up the middle of a three-show sports power triad, and the sequel to one of the most spectacularly derailed, NTR-rich plots I’ve ever known.
Drew: This episode had a fairly simple premise; the main character goes around trying to get his hands on a sky boat, once owned by his teacher but now in the hands of Benten. I want to say that up-front, because this was probably the least-comprehensible episode of anime I watched this month. They introduced a bunch of things from nowhere, like the seaside clocktower that Benten apparently owns. The worst part was the one conversation between Tengu that dropped a bunch of terminology with minimal context, one that I would have been totally lost for if I hadn’t encountered the term Kurama Tengu before. It’s still a visual feast, but the visuals are often a lot less tightly targeted than, say, a Tatami Galaxy. I’m starting to worry (admittedly just a little) that this might be a TV anime with movie problems rather than a TV anime with movie benefits.
Arata Kangatari’s 7th episode was delayed this week thanks to a pan-Asian Table Tennis tournament, so I was going to write a post celebrating rapid-fire tennis comedy Teekyu. But a certain phrase kept popping up in that post, so I thought I’d address that first. And really, I’ve tossed around the terms “fast pacing” and “high energy” a whole awful lot over the past couple of months. I think it’s only fair I define both terms, since I’ll be using them a lot in the months to come.
Please Teacher is a show memorable to me for sublime use of natural scenery and subtle characterization overcoming a really dumb plot. It’s also one of my all-time 50 favorite anime. So this show ostensibly has a sequel or some other big franchise project (if I were a betting man, I’d put most of my funds on “anime movie version”) on the way for its tenth anniversary. This is notwithstanding Ano Natsu de Matteru, the spiritual successor it got last January.
Am I excited about this news? Well, slightly. See, I’ve had a lot of bad experiences with my favorite anime getting sequels, and I’d really have to know more than what fictional universe it’s taking place in before I get excited.
Note: Since my tastes are somewhat idiosyncratic, and I’ll be talking mostly about shows I’ve seen and loved, feel free to disagree.