Somehow, this is already the last day of the season where we’re getting multiple new shows on the same day. I suppose there’s also a common thread that both had a certain degree of visual distinctness, coming as they did from strong directorial stock.
I thought it’d be a fun little exercise to try and pull out as many mangaka names as I could without relying on references. This is that list, written on lockdown mode and complete with the reasons why I remember them.
I’m a tremendous fan of battle series that play with creative power systems. So I was ecstatic when, some 5 years ago now, a new fantasy adventure manga about a couple who needed to hold hands constantly or perish called Double Arts arrived on the scene. I was equally devastated when, half a year later, Weekly Shonen Jump’s ruthless management killed the series dead immediately after some of the best introductory chapters of manga I’d ever read. I was younger then and didn’t realize that there were thousands of amazing manga I’d never even be able to read in my lifetime, so I was all kinds of devastated.
This whole affair was my introduction to one Komi Naoshi, a multiclass genius of a manga author who handily survived Double Arts’ cancellation and is currently set to break the anime barrier with an adaptation of two-years-young Weekly Shonen Jump (hereafter WSJ) manga Nisekoi. He’s also one of the few personalities in manga or anime who gets exponentially cooler the more I read about him. If you don’t currently have the afternoon’s worth of time to check out his entire mangaography (something I wholly endorse), then you might as well read this column.
If you know anything at all about manga, you’ve probably heard the name Weekly Shonen Jump before. Armed to the teeth with megahits like One Piece, Naruto, Bleach, and Toriko, it stands undisputed atop the manga industry. But did you ever wonder how that dominance came to be, or why it’s been largely unchallenged for upwards of 20 years? Here’s a hint: it’s no accident.