A short interview with living legend of manga, Takehiko Inoue.
I thought it’d be a fun little exercise to try and pull out as many mangaka names as I could without relying on references. This is that list, written on lockdown mode and complete with the reasons why I remember them.
Yoshida Motoi is an irregular manga artist who makes up for his bi-quarterly release pace with the best aesthetic concepts this side of Yusuke Murata and a detail-fixated, thorough art style.* It’s fitting, then, that the manga he’s currently drawing, Natsu no Zenjitsu, deals with art itself.
As the title suggests, this particular chapter focuses on the male lead’s sense of touch, and aims to convey how it factors into both his life and his paintings to the readers. Part of that goal is accomplished in conventional means via the script, but the chapter also provides a clinic of how to incorporate the sense of touch into seemingly flat pages of manga. Nor does it just run an art clinic; these depictions are intimately related to a growing and somewhat contradictory set of emotions in the manga’s male lead.
There’s a scene in Naoki Urasawa’s Happy! where the main character Umino, who’s gotten herself matched up against a player who should be by all rights an easy win, gets mixed up in a match-fixing gig. Due to her honest nature, she still tries to win the game, but finds herself stymied against an opponent playing much harder than she normally would, at a level that one informed observer remarks she’ll “never reach again” as a result of considerable pressure heaped on her from outside sources.
You know who else is under crushing pressure all the time? Mediocre manga authors.