Drew: Uchoten Kazoku might seem to some to be a far-out series. For me, it’s attacking fairly familiar territory, just doing it using tanuki stuck in frog-shaped polymorphs instead of humans in mundane lifestyles. I think it’s less artsy fare with a message and more much closer to a character-driven slice-of-life drama that happens to involve smooth, fancy animation. And I’m loving it so far. It’s obviously still got places to go and things to develop, but I think it’s a 7/10 if the two episodes that came out so far were a stand-alone ova series, which is pretty good in my book.
We’re a little past the halfway mark in Summer 2013, and with one more week of new material still to air, things are looking fairly positive. Sunday carries a (literally) shorter slate, but not one lacking punch.
Since declaring bankruptcy, Studio Gonzo’s spent years in the proverbial doghouse. What better way to celebrate that status than to produce an anime about dogs and sadism?
I’m a tremendous fan of battle series that play with creative power systems. So I was ecstatic when, some 5 years ago now, a new fantasy adventure manga about a couple who needed to hold hands constantly or perish called Double Arts arrived on the scene. I was equally devastated when, half a year later, Weekly Shonen Jump’s ruthless management killed the series dead immediately after some of the best introductory chapters of manga I’d ever read. I was younger then and didn’t realize that there were thousands of amazing manga I’d never even be able to read in my lifetime, so I was all kinds of devastated.
This whole affair was my introduction to one Komi Naoshi, a multiclass genius of a manga author who handily survived Double Arts’ cancellation and is currently set to break the anime barrier with an adaptation of two-years-young Weekly Shonen Jump (hereafter WSJ) manga Nisekoi. He’s also one of the few personalities in manga or anime who gets exponentially cooler the more I read about him. If you don’t currently have the afternoon’s worth of time to check out his entire mangaography (something I wholly endorse), then you might as well read this column.
In our ongoing maximum freestyle segment, Drew and Sam tackle one of the most zeitgeisty anime movies of the eighties, the nuclear-high-energy Project A-ko.
It’s pretty clever that this show waited until the episode dealing with aliens to take a page from Japan’s most popular sci-fi franchise. A little bit of Doraemon flavor goes a long way.
Plus, the gags are all stretched to just the right length
It stands to reason that immortal beings have explored every known way in the universe to have fun, legal or not. I’m really enjoying both the scenes of the myths and legends in their own world and the scenes where Takuro gets a glimpse into it, both of which were prominently on display this week.