Producer Hideo Katsumata talks about when the Fullmetal Alchemist movie was decided on, Aniplex’s role in producing the series, and Hiromu Arakawa doing martial arts.
Bones Prez Masahiko Minami, Director Tomoki Kyoda, and Character Designer Kenichi Yoshida talk about Eureka Seven.
Bones president Masahiko Minami and character designer Toshihiro Kawamoto look back on Cowboy Bebop on the occasion of the “Remix” DVD release. Nothing really new here, given the amount of other interviews these two have done, but it’s my policy to archive multiple-page full text interviews regardless.
Various studio Bones staffers. the voices of Ed and Al, and author Hiromu Arakawa discuss various aspects of symbolism in the FMA series.
Along with an understanding of the broader context of the subject, the most vital ingredient to good anime coverage is a reliable source. So when US journalists actually interview people on the production side in Japan, it’s generally worth noting unless the interview consists entirely of fluff. This is the latest of what will hopefully be a couple more posts archiving articles from Newtype USA’s [inside] series of articles written by Amos Wong. In this one (the first chronologically in the series) President Masahiko Minami talks about the studio’s origins and namesake, Hiroshi Ousaka talks about research trips to Morocco, and Toshihiro Kawamoto talks about using digital effects to produce more effective POV shots.
Note: Pictures are scans of the article made on my crappy scanner, which cover the article text but not the entire page. They’re also in greyscale, because I’m interested in archiving interview text and color scans make the process more of a headache than it needs to be. Apologies for that. Scans after the jump, along with comments on the contents of the article.
Move over Planeteers, you multicultural motherfuckers, Earth has a new defender in town! Captain Earth, to be exact! Unstoppable Hype Machine is already composing his new theme song!
Live from what may or may not be a filing cabinet, we bring you the Animetics Podcast, a (presumably) monthly recording of our panelists jawing over various topics. If the very thought doesn’t scare you, you can download it from the following link:
http://www.mediafire.com/?dtwsd2810g366d0 (94 minutes, 85 MB)
In this inaugural episode, we’ll be talking about the Winter 2013 Anime season. This discussion is a two-pronged assault. First, we cover the shows we’re watching, trying hard but not too hard to stay on topic. Second, we discuss the season in historical context with recent previous Winter seasons, taking on the oft-disseminated “worst season of all time” rumors.
If you’re strapped for time or only want to follow a certain portion of the podcast, you can find each particular segment at the times listed below:
Tamako Market [0:50]
Blast of Tempest [12:13]*
Bakumatsu Gijinden Roman [17:05]
I Don’t Have Very Many Friends Next [20:07]
Cuticle Detective Inaba [32:38]
Problem Children [55:24]
Vividred Operation [60:56]
The Unlimited [63:30]
Comparison with past Winter seasons [72:47]
Seasonal Charts We Used:
Winter 2011 full chart (w/ Madoka)
*Blast of Tempest is technically a Fall 2012 show. It’s in there mostly because Sam and I wanted to hash out a topic we had argued over the past week. One that I proved myself wrong about 2 days after emphatically declaring that studios didn’t really matter.
This column is motivated by a discussion I had two months ago, about whether ARMS, a studio with Queen’s Blade and Hagure Yuusha no Estetica in its recent past, could really pull a good anime out of the Maoyu franchise, even with the writer/director team behind Spice and Wolf helming said show. It was a long, drawn-out debate, and it got me thinking: what names were really most important (in terms of both quality and sales) in predicting how an anime will do? For anime fans without enough time to watch every first episode in a season, it’s certainly an important question. I’ll be attempting to approach the answer to this question by remove my own biases from the equation as much as I can.