Via Newtype USA: [inside] Toei (December 2003)

Along with an understanding of the broader context of the subject, the most vital ingredient to good anime coverage is a reliable source. So when US journalists actually interview people on the production side in Japan, it’s generally worth noting unless the interview consists entirely of fluff. This is the second of what will (hopefully) be several posts over the next couple of weeks archiving articles from Newtype USA’s [inside] series of articles written by Amos Wong. It contains comments from President Hiroshi Takahashi and Director Daisuke Nishio on researching how to best portray action sequences, overseas sources of income, and the pluses and minuses of the transition from analog to digital animation.

Note: Pictures are scans of the article made on my crappy scanner, which cover the article text but not the entire page. Apologies for that. Scans after the jump, along with comments on the contents of the article.

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noitminA Has Nothing on the Nihon TV Tuesday 24:50 Slot

One of the fruits of digging into the adaptations of manga produced in 2011 has been a treasure trove of TV anime ratings data. Which, in turn, holds heaping helpings of unrelated but utterly fascinating information.

My favorite tidbit so far? Timeslots that get designated to run a certain kind of show are much more prevalent than I, at least, had thought. People may deify noitaminA for its stellar pre-Fractale record, but if you want to talk anime-focused timeslots with godly 7-year runs, there’s at least one very prominent contender. The Nihon TV 24:50 timeslot (plus/minus 10 minutes, depending on the quarter) hosted the following shows from 2000 to 2011:

Show Title (Airdates) (Ratings for First Episode)

Hidamari no Ki (2000-04) (3.2)
Hajime no Ippo (2000-10) (4.8)
Tenchi Muyo GXP (2002-04) (4.3)
Hanada Shounen-shi (2002-10) (3.1)
Air Master (2003-04) (4.4)
Captain Harlock [TV Airing of Endless Odyssey OVA] (2003-10) (3.4)
Gokusen (2004-01) (3.8)
Monster (2004-04) (3.2)
Akagi (2005-10) (2.4)
Ouran High School Host Club (2006-04) (2.1)
Death Note (2006-10) (3.4)
Buzzer Beater (2007-07) (2.5)
Kaiji (2007-10) (3.2)
Real Drive (2008-04) (2.0)
One Outs (2008-10) (2.5)
Souten Kouro (2009-04) (2.6)
Kimi ni Todoke (2009-10) (2.8)
Rainbow (2010-04) (2.2)
Kimi ni Todoke [cut reair] (2010-10) (2.1)
Kimi ni Todoke Season 2 (2011-01) (2.1)
Kaiji Season 2 (2011-04) (2.3)
Chihayafuru (2011-10) (2.4)

Note in particular the period from 2004 to 2011. That’s some serious all-around ass-kicking, a double whammy of ratings that aren’t bad (especially for 12:50 in the morning) and maximal critic-pleasing potential. By all accounts, this timeslot is currently plugged; Chihayafuru’s second season aired at 25:59, and I can’t find anything currently airing in it. But still, phenomenal run. I guess I’m adding timeslots to the list of industry-related things that really ought to be looked into.

Edit: Corrected the title to reflect the actual day of the timeslot.