Fun With Numbers: Licensed Content in Monthly Shonen Sirius

If you’re an involved fan of anime or manga, you just might have heard of Kodansha’s Monthly Shonen Sirius. It’s a small-time magazine as manga mags go, with a circulation total last reported in 2013 at 12,684 copies, but it currently hosts several titles with anime adaptations (Yozakura Quartet, Majimoji Rurumo, the current incarnation of EAT-MAN) as well as multiple titles which have recently been added to crunchyroll manga’s library (Maga-Tsuki, P4Q), so it’s at least moderately noteworthy.

In recent years, this particular magazine has seen a shift in content, away from mangaka-generated series away towards spin-offs of existing franchises, which mirrors a larger trend in the modern manga industry. I’ll be taking a look at how visible that present trend is in this mag and what it means for both the lifetime of individual series and the outlook for magazine a whole.

Continue reading

Fun With Numbers: Evolving Oricon Totals and Delayed-Impact Manga Boosts

Those who follow manga sales are probably aware of the not-at-all-uncommon phenomenon where, following an anime that successfully catches people’s attention, every volume of the series, old and new, gets back on the Oricon weekly charts, and sometimes stays there for an extended period of time. The resulting re-chart numbers for the series can be broken down in a number of ways. I’m going to be looking on a particular test case (Nanatsu no Taizai’s performance over last Fall) which shows how those numbers can be interpreted.

Continue reading

Fun With Numbers: Crunchyroll Manga’s Uncertain Future

Roughly one week ago, on January 23rd, Crunchyroll announced it was licensing a Shonen Sirius-run manga adaptation of the Persona Q game. Beyond the series itself, this announcement was significant for a pair of reasons. First, it broke what was a near-record dry streak for the company’s service since it announced the Maga-Tsuki license on November 25th of last year. This dry streak is the second longest in the history of the service, short only of the 71-day gap between its launch on October 26, 2013 and the addition of three Futabasha titles on January 6, 2014, a period presumably taken up by serious negotiations on the business side. Since that first additional partnership, the service has expanded to include titles from Shonen Gahosha, Leed Publishing, and Cork, and new licenses had steadily rolled in through the first three-quarters of 2014 as a result (you can check which series were announced when here). However, since then, the service has cooled down a bit; only 3 titles (Maga-Tsuki, Days of the Dam, and PQ) have been added in the past 4 months, and the gaps between those licenses were 56 and 41 days. Without Maga-Tsuki in the middle, it’s CR Manga’s longest dead interval by about 20 days.

The second item of interest that can be found in this announcement is that it comes on the heels of Crunchyroll restructuring how the subscription model for manga would work. Instead of being a separate service costing $40/year or a $40/yr upgrade from a $60 anime membership to a $100 to all-access membership, it became a complimentary feature of the anime membership. This was followed by another announcement that the service would be losing all of its K-dramas, cutting its drama offering down to a third of what it was.* There are a lot of ways to spin these moves, but one definite effect is a sharp decline in the value of a CR all-access membership, one that will likely see the majority of those who have all-access dropping down to less-costly anime subscriptions. That doesn’t necessarily mean less money for CR as a business; theoretically, the added value of manga *could* result in additional subscriptions from people on the fence about subscribing who needed a little extra motivation to make the decision to buy in. The more worrying thing is that this could be something of a desperation/stopgap maneuver, which could be a bad thing both for CR and, more importantly, for the future of simulpub manga.

Continue reading

Via Anime Insider: Shigeru Mizuki (November 2008)

An interview with living legend of manga Shigeru Mizuki (author of Gegege no Kitaro/Hakabe Kitaro, among other things). He talks about the storyteller during his childhood (whose stories have stayed with him), the place of traditional folklore in modern Japan, how the manga industry changed since he started, and a new series of his.

Continue reading