Via Newtype USA: Taniguchi Goro on s-CRY-ed (July 2003)

I’ve been collecting a bunch of old Newtype USA issues off of ebay lately, with the goal of eventually uploading scans of most or all of the [inside] series. The next batch arrived at my apartment yesterday, and in addition to an article on Gainax with an offhand mention of mid-90s OVA budgets, it contained this feature on s-CRY-ed with a number of comments directly from Taniguchi Goro. Even though there’s not a lot of historically notable material in there, there’s interesting s-CRY-ed specific stuff; focusing on hand-drawn art against current industry trends, struggling to translate the core concept into a coherant final story, being surprised that a series he tried to make as manly as possible ended up with a majority female fanbase, and the offhand comment that turned into the OST track In His Memory. It’s something I personally enjoyed reading, as a huge s-CRY-ed geek. Scans are after the jump (statements from Goro are all on the fourth page).

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Midseason Update: This Winter in s-CRY-ed Quotes

Back in the day, before I had the money to import anime, or eve to buy them at a discount, I had access to a VCR and a stack of 5 VHS tapes. I learned to program that VCR for the express purpose of recording Toonami, Adult Swim Anime, and the like on days when I couldn’t make it home. And if there was one show that was my number 1 at the time, it was battle/rivalry series s-CRY-ed.

Fueled almost entirely by banter between the leading duo. Kazuma and Ryuho were as memorable a pair of rivals as I can recall having watched to this day, and the script that was field-raised ham on a whole-wheat drama bun produced a memorable, unique-tasting fight series. And plenty of potable quotes, which is why I’m dedicating this entry to cemented legacy club member director Taniguchi Goro.


And to punching things while yelling loudly

Oh, and incoming spoilers for a 12 year-old show, if you’re averse to that kind of thing.

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