Via Newtype USA: Taniguchi Goro on s-CRY-ed (July 2003)

I’ve been collecting a bunch of old Newtype USA issues off of ebay lately, with the goal of eventually uploading scans of most or all of the [inside] series. The next batch arrived at my apartment yesterday, and in addition to an article on Gainax with an offhand mention of mid-90s OVA budgets, it contained this feature on s-CRY-ed with a number of comments directly from Taniguchi Goro. Even though there’s not a lot of historically notable material in there, there’s interesting s-CRY-ed specific stuff; focusing on hand-drawn art against current industry trends, struggling to translate the core concept into a coherant final story, being surprised that a series he tried to make as manly as possible ended up with a majority female fanbase, and the offhand comment that turned into the OST track In His Memory. It’s something I personally enjoyed reading, as a huge s-CRY-ed geek. Scans are after the jump (statements from Goro are all on the fourth page).

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Midseason Update: This Winter in s-CRY-ed Quotes

Back in the day, before I had the money to import anime, or eve to buy them at a discount, I had access to a VCR and a stack of 5 VHS tapes. I learned to program that VCR for the express purpose of recording Toonami, Adult Swim Anime, and the like on days when I couldn’t make it home. And if there was one show that was my number 1 at the time, it was battle/rivalry series s-CRY-ed.

Fueled almost entirely by banter between the leading duo. Kazuma and Ryuho were as memorable a pair of rivals as I can recall having watched to this day, and the script that was field-raised ham on a whole-wheat drama bun produced a memorable, unique-tasting fight series. And plenty of potable quotes, which is why I’m dedicating this entry to cemented legacy club member director Taniguchi Goro.

Scr-screen

And to punching things while yelling loudly

Oh, and incoming spoilers for a 12 year-old show, if you’re averse to that kind of thing.

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