I’m adding the 2010 manga-adaptation anime into the sample of adaptation effects on their source material. Many, though not all, series show some degree of significant bump. Nitty-gritty data is collected here, and displayed below. An impressive 20 of the 26 series I looked at made the Oricon charts at some point, though one of them (Rainbow) ended before the anime began. One that didn’t, Seikon no Qwaser, is still running at 8 years, 18 volumes (it’s hardly the only series to run that long without charting, I’m just pointing out that manga can run for a long time without seeing the light of day chart-wise).
Note: For High School of the Dead, both volumes 4 and 5 came out well before the anime, and volume 6 came out during its broadcast. The gap in time was so big that they came out before mal tracked numbers for series, only posting top 10 lists. I used the available 2008 manga data to approximate the average value, in volumes, of the #10 slot to get a rough estimate of the threshold. Even holding v4 and v5 to the maximum threshold from those weeks, the 130,000 v6 and 200,000 v7 it puts up post-anime is evidence of a significant bump.
Back in the day, before I had the money to import anime, or eve to buy them at a discount, I had access to a VCR and a stack of 5 VHS tapes. I learned to program that VCR for the express purpose of recording Toonami, Adult Swim Anime, and the like on days when I couldn’t make it home. And if there was one show that was my number 1 at the time, it was battle/rivalry series s-CRY-ed.
Fueled almost entirely by banter between the leading duo. Kazuma and Ryuho were as memorable a pair of rivals as I can recall having watched to this day, and the script that was field-raised ham on a whole-wheat drama bun produced a memorable, unique-tasting fight series. And plenty of potable quotes, which is why I’m dedicating this entry to cemented legacy club member director Taniguchi Goro.
And to punching things while yelling loudly
Oh, and incoming spoilers for a 12 year-old show, if you’re averse to that kind of thing.
When we made a countdown podcast hyping the upcoming season, we offhandedly decided not to note that our three top series were coming out on the same day, joining an excellent pair of sports series in what has classically been the first or second most stacked day of the week. Straight dope, the past 24 hours had the potential to be pretty great. The keyword there is always “potential”; rarely does the entire slate of shows with upside pan out, and even those with very favorable preseason outlooks can disappoint. However, this time, things went on a bit different bent than usual. Seitokai Yakuindomo Confirmed Using Steroids got straight-up obnoxious with Suzu’s head. Robot Girls Z was twice as long as we previously thought. And Ian Sinclair was, in fact, Space Dandy. Which is now a 2-cour project. Since Arpeggio’s v1 sales numbers neatly edged out 10k, I’ve got an unbreakable three-way tie for favorite news of the weekend. Let’s break it down.
Ever wonder what anime get sequels and what don’t? The simple answer to this fairly simple question is “sales, plus a few mitigating lesser factors”. We know this, beyond the obvious intuition, because over the years, we see those with robust sales totals get continued much more often than those with lackluster ones:
A more interesting question is perhaps this; which anime this year have the best chances of getting continued? After some delving into the subject, I can finally answer this question to a respectable degree of confidence. Based on data from 615 shows airing from from 2005-2012, the first season of an anime which sells x units per volume has P odds of getting a sequel, meaning either a second season or a movie.
Where t is the time in years passed since the first season aired, and L=1 corresponds to the series having been licensed. θ is the step function, 0 when the number inside the brackets is less than 0, and 1 when the number inside is greater than 0.
A little over a week ago, I wrote about how seemingly improbable this season’s Yozakura Quartet sequel was. It was anomaly, lacking any of the traditional indicators (profitable disc sales, TV ratings in excess of 3%, visible boost in the sales totals of the manga). Or at least it was until you look at the unique way in which the most recent series of OADs was marketed. As it turns out, the Yozakura Quartet OADs, though failing to chart, were very probably profitable. The makers made their dues by exploiting a bit of a backdoor in the niche anime industry: piggybacking on the much larger manga market.
This show really does love to depend on new character introductions to provide a weekly hook. At first I was doubtful as to whether or not it was really feasible for a small-world type of show with only a few characters shown in the opening/on the boxart to maintain this approach for a full 13 episodes. This week was going to be critical, since every character from the opening had finally been introduced. So the makers this show faced a choice; if they didn’t want to lose their momentum, skim the bottom of the barrel or start building deeper relationships around the current cast.
Seitokai Yakuindomo (SYD, for brevity’s sake) is a very strange beast. At a glance, it looks like a fairly run-of-the-mill comedy, and describing the bathroom humor-littered source material probably won’t win you many fans. As a novel, it probably wouldn’t have many. But, thanks to a combination of ultracompetent soundtrack and excellent comedic delivery, the series actually ends up being quite an entertaining ride.