Weekly Light Novel Sales Data for 2009 (April-December)

I noted in my 2014 “questions” post that I wanted to do a breakdown of Light Novel sales as compared to the reception of anime adaptations. I also noted that myanimelist kept the data, but in weekly posts that were archived on myanimelist’s news forum, a place so organized that 2009 threads will often be bumped up to 2011, with a search function that only displays a max of 30 or so posts and adds about 20 seconds to the collection of every datapoint by pointing you to the last post made in each thread. This is no fault of dtshyk,  Snowical, and symbv, the mal news people who have done a straight up excellent job of keeping LN (and manga) data on a weekly basis for nearly 5 years now. Many thanks to them for keeping the data archived in a retrievable and easy to understand format.

Since I don’t have much else in terms of data to crunch until February ends, I decided to see what I could do with that. After taking down data for 3 of the 16 series in my 2011 sample, I realized that individually going through the forums and looking for the release weeks was inefficient as all get out, so I decided to just make a master text file for each year’s worth of data and wash my hands of people bumping a post 2 years into the future to point out how happy they were that Katekyoshi Hitman Reborn was on the manga list. I figured it wouldn’t hurt to make these collections available as I finish them. As far as I’ve searched, there’s no other English-language site that archives these data in a convenient format. And if there is, well, redundancy is always nice.

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Sell Me in 20 Minutes: Super Sonico, D-Frag, and The Pilot’s Love Song

If you just judged Monday’s slate by their pictures and plot summaries, the day was a bit less ambitious in terms of scope than anything out this weekend. But a lot of times it doesn’t take far-reaching ambition to make serviceable entertainment, just a staff that cares about their product.

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Sell Me in 20 Minutes: Tonari no Seki-kun, Noragami, Nobunagun, and Nobunaga the Fool

Up to this point, this season is batting a thousand in my book; everything I’ve watched up to this point has merited at least 2 more episodes on my own more or less arbitrary scale.* In many ways, it’s already fulfilled its “five fun shows with a genre spread” quota and is already looking for bonus points. The first of which will be coming from Sunday’s lineup, which included a slightly-larger-than-bite-size comedy, a mid-major occult show, and a pair of shows, one original and one via Comic Earth Star, drawing from Japan’s most famous general. All of them were varying degrees of promising, so I’m pretty set for the weekend this Winter.

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Sell Me in 20 Minutes: Seitokai Yakuindomo*, Robot Girls Z, and Space Dandy

When we made a countdown podcast hyping the upcoming season, we offhandedly decided not to note that our three top series were coming out on the same day, joining an excellent pair of sports series in what has classically been the first or second most stacked day of the week. Straight dope, the past 24 hours had the potential to be pretty great. The keyword there is always “potential”; rarely does the entire slate of shows with upside pan out, and even those with very favorable preseason outlooks can disappoint. However, this time, things went on a bit different bent than usual. Seitokai Yakuindomo Confirmed Using Steroids got straight-up obnoxious with Suzu’s head. Robot Girls Z was twice as long as we previously thought. And Ian Sinclair was, in fact, Space Dandy. Which is now a 2-cour project. Since Arpeggio’s v1 sales numbers neatly edged out 10k, I’ve got an unbreakable three-way tie for favorite news of the weekend. Let’s break it down.

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Sticking Around, But Dropping the Episodic Entries

I mentioned a couple weeks ago that I was probably going to cut out the weekly/episodic blogging of anime and replace it with something else. I figure it’s worth explaining why, and what’s to come.

My original goal in starting this blog was just to see if I could do one after being a deadline-averse backseat driver while scanning some King Golf and writing for the infancy of what would become Shonenbeam. Now that I’ve been doing this for 10 months and 300+ entries, I’ve got a better idea of what I actually want this to be. My emerging goal is to gain and spread, where possible, insights on anime and manga.* There are plenty of ways to go about mission prime; music/scene analysis, plain old reviews, or collecting and analyzing any of a hundred different kinds of data. But if there’s one thing I’ve learned in working on these episodic entries, it’s that (at least in my case) they’re just about the worst way to gain insights on a show. While there are definitely anime worth episode-by-episode commentary and individual episodes of anime worth 1000-plus-word writeups, by and large episodic commentary is too quick, too basic. I’ve been trying to get away from this, but every episodic entry of mine I reread feel like bullet points in sentence form. Really understanding a single episode of anime that’s good enough to be worth writing about takes at least two viewings, and episodes that notable are fairly rare.

Worse, there’s the issue of opportunity cost. Episodic entries are a deadline factory and a time sink that keeps me from doing actual analytical legwork and kneecaps the parts of the blog I enjoy doing. This fall, I had half a review each for roaring mid-major Outbreak Company and undropped/sneaky likable Gingitsune and never finished either. I haven’t even written a review for Touch yet, and I finished that over 4 months ago! I can write 400 words a week on Space Dandy, but would the fragmented series of entries ultimately read better than the same (or even a lesser) wordcount in a focused review? Longer-form analysis is the stuff I’m leaving on the table when I choose trend-of-the-day subject matter, and I’m going to switch gears a bit and do my best to flip that tradeoff in the coming months. I’ll still be covering first episodes and doing midseason/dropped updates,** but that’s about all the coverage newer seasons will be getting. I hope y’all enjoy it.

*Failing that, goal number 2 is to blindly hype the fun parts of it.

**See above note.

Preair Impressions: Witchcraft Works and Buddy Complex

The Winter 2014 season has had a couple of preaired episodes at this point. It’s 2 or 3, by my count, depending on how you count adorable short Pupipo (shorts kind of exist in another dimension unless they’re Teekyu or Poyopoyo good, and this is solid not quite there). The main attractions to the undercard bout, though, are the hotly-anticipated-by-me Witchcraft Works and the no-expectations-going-in, might-not-have-watched-if-not-for-the-sparse-field-at-the-time Buddy Complex.

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Lists Are Fun to Make: Favorite Episodes of 2013 By Title

I find anime episode titles lined up to be aesthetically pleasing. There’s an art to picking a good title that really speaks to the content of the episode. Here I tired to keep things simple, and limited myself to one episode per show to keep Gatchaman Crowds and the non-racist parts of Space Brothers from dominating the chart and keeping some other interesting ones out.

10. Change the World (Samurai Flamenco)

9. Autumn of Arts, Appetite, and Attack (GJ-bu)

8. Soccer… Soccer? (Outbreak Company)

7. Because It’s Fun (Yuyushiki)

6. Everyone has Close Calls. Learn from Them and Keep the Workplace Healthy. (Servant x Service)

5. Shocking No Breathing (Free)

4. Muromi-san and the Ryuuguuju (Namiuchigiwa no Muromi-san)

3. Qualifications of a Hero (Jojo’s Bizarre Adventure)

2. Excitement of My Youth (Space Brothers)

1. Crowds (Gatchaman Crowds)

Fun With Numbers: The February 2014 Amazon Experiment (Initial Numbers)

I present few results here; I’m mainly just laying the groundwork for something I hope will bear fruit at the end of the titular month.

As you may know, I’m very interested in the intricacies of the market for Region 1 anime releases, and I’ve looked at the problem from a few different angles. There are sources for this sort of thing, but I’d rather start building a cache of available numbers than just rely on word from ANNCast, likely reliable though it is, that certain series did “well” or “break-even”. This post is the raw beginnings of an approach on this problem, though at this phase of things I’m mainly interested in finding indicators that seem accurate.

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Lists Are Fun to Make: Questions I’d Like to Attack in 2014

If you read this blog on a regular basis, you’re probably aware that one of the things I enjoy doing is going through various available numbers (anime sales, manga sales, myanimelist rankings, and the like) related to the anime and manga industries and trying to use them to gain insights into particular trends in both the industry and the fanbases it serves. It’s not easy work, nor is it flawless. There are a bunch of questions that very quickly became difficult to address in the short term (involving either no apparent path to the answer or a very long, winding path to the answer) and got shelved. Here’s a peek into the short-term reject file of issues/technical concerns still bugging me that I’d love to be able to resolve and analyze now that I’m ditching my weekly by-episode anime blogging.

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Fall 2013 Anime I Dropped: What, When, and Why

To me, anime is a hobby whose primary purpose is trading free time to for entertainment. So I’m always ready to drop shows that aren’t providing a fair return on that 20 minutes a week, in order to use the time on discovering classics, rediscovering the contents of my hardcopy disk collection, or just doing actual work. These are the Fall 2013 shows that prompted that decision.

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