Sell Me in 20 Minutes: Arpeggio of Blue Steel, Non Non Biyori, and Unbreakable Machine Doll

I put myself on the record this August saying that Arpeggio might be the Those Who Hunt Elves of the modern era, with the potential to sell well enough to launch an industry trend. Only this time with all-CG animation instead of late-night TV timeslots. The CG is still a tad weak when used for big movements, or presentation that would be more exaggerated in a hand-drawn series, and it took me about halfway through the episode to get accustomed to. But once I did, there was very little not to love. Kishi Seiji is doing a good job of keeping most of the body language to more small, natural-looking motions and making every frame of that count. The big flourishes were, as expected, saved for the naval battle sequences, which looked mighty fine. The story, a large-scale ambitious beast and looking to create a sci-fi world without putting everything in space, also appears highly intriguing. I’m looking forward to seeing how the crew, presumably a Nadesico-style quirky bunch of doers, gels together as a group as the series goes on. I’ve got at least 3 weeks worth of interest in this one.

Arp-1-1

Especially since these sub battles are going to be regular things

Oonuma Shin is sitting this season out, but one of the prospects at studio Silver Link got his crack at being in charge today. And the result was just as backgroundy as I could have hoped for. The intro was spiffy thanks to the scenery, and the rest of the episode carried on with a fun, slow pace with echoes of Hidamari Sketch and Yuyushiki. It’s getting 2 more episodes from me to see if it stays fun and consistent.

Speaking of typically one-director studios branching out, Unbreakable Machine Doll would be the only the second Studio Lerche project not helmed by Kishi Seiji. But it didn’t show much of a dropoff, and packed a mean punch with an early, fresh-feeling train action sequence. The steampunk setting seemed to offer some depth, but it turned out to be ostensibly just a battle academy series in the vein of Yugioh GX or Phi Brain, albiet with pretty action. I might have kept up with it in a less busy season, but right now I don’t see a strong appeal. Dropped.

Sell Me in 20 Minutes: Walkure Romanze, Yozakura Quartet: Hana no Uta, and Gingitsune

In contrast to a sports-packed Saturday, Sunday’s lineup consisted mainly of more laid-back fare. Which in no way necessitates a drop in quality. At least, I believe all genres are created equal before they get executed by a particular staff. Today’s slate ended up being fairly satisfying.

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Sell Me in 20 Minutes: Kuroko’s Basketball s2 and White Album 2

Last up this Saturday is a pair of mismatched sequels; one to a fun sports show that I expect is going to make up the middle of a three-show sports power triad, and the sequel to one of the most spectacularly derailed, NTR-rich plots I’ve ever known.

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Sell Me in 20 Minutes: Hajime no Ippo: The Rising, Log Horizon, and Ace of the Diamond

Saturday’s slate is, as usual, packed. It’s also, in a less usual twist, clogged to the brim with sports. I’m saving Kuroko s2 for the nightcap, and for now going over the two adaptations of KMA-winning sports manga, old and new.

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Sell Me in 20 Minutes: Yuusha ni Narenakatta and Strike the Blood

I’m not in any way expecting this Friday to replace Gatchaman Crowds’ level of performance from last season. Kyokai no Kanata and Coppelion are already pulling the bulk of the week’s power hitting closer to Wednesday, but it’d be nice to have at least one show for every day of the week pulling its own weight.

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Sell Me in 20 Minutes: Nagi no Asukara, Infinite Stratos 2, and Kill La Kill

Wednesday was in many ways an unusually strong opening day. Thursday, by contrast, is usually expected to be one of the heavy hitters, largely because it’s the non-weekend day with the largest number of open timeslots. noitaminA doesn’t bring its heavy guns until next week, but there’s still some [nominally] A-list fare on the block.

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Sell Me in 20 Minutes: Coppelion, Kyousogiga s3, and Kyoukai no Kanata

I can’t recall the last time a season opened (not counting Miss Monochrome yesterday because 4-minute shows that aren’t Teekyu and Puchimas can take a hike) with 3 shows I had pegged as high-odds winners in the first day. I can recall the last time a show I had pegged for high odds disappointed me with a breaking tailspin, so the eye test is obviously important here.

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Final Review: Gatchaman Crowds (10/10)

When anime franchises get rebooted, it’s fairly typical for the new staff to take it in a new direction and make something extra-special to celebrate the anniversary of a classic product. For examples of this done incredibly well, look no further than the 2012 Lupin III series or the 2009 Mazinger reboot. For the example of this done perfectly, take a gander at Kenji Nakamura’s take on the decades-old Gatchaman franchise and watch him take an already stellar skill set to a whole other level.

Meet the show with the year’s best villain, the year’s best protagonist, the year’s best two-person dialogue chain, the year’s most relevant-to-society themes, the year’s second-best opening (got Jaeger’d by the number one), the year’s best panda, and the best one-word BGM track in anime.

http://www.youtube.com/watch?v=6lbOi9XJcOg

Meet Gatchaman Crowds.

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First Reactions: Dangan Ronpa Episode 13 (End) and Quickie Scores (9/10)

Based on the formula it had followed thus far, I felt I had a pretty good idea of where Dangan Ronpa was going with its ending. I was wrong; the ending packed a genuine twist that flipped the premise on its head, tossing a bunch of huge endgame plusses for the show into the pot.

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First Reactions: Free! Episode 12 (End) and Quickie Scores (8/10)

The two biggest unresolved plot threads of Free going into the final episode (Rin’s suspension from the relay team and the effects on his and Haru’s burgeoning rivalry) closely shadowed one of the show’s bigger strengths (its strong cast) but weren’t exactly playing to the show’s big strength; its kinetic visual sense. Given that, the direction the ending went wasn’t a huge shock. Though it was admittedly not one hundred percent something that I had anticipated, it still went down the right pipe.

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