When anime franchises get rebooted, it’s fairly typical for the new staff to take it in a new direction and make something extra-special to celebrate the anniversary of a classic product. For examples of this done incredibly well, look no further than the 2012 Lupin III series or the 2009 Mazinger reboot. For the example of this done perfectly, take a gander at Kenji Nakamura’s take on the decades-old Gatchaman franchise and watch him take an already stellar skill set to a whole other level.
Meet the show with the year’s best villain, the year’s best protagonist, the year’s best two-person dialogue chain, the year’s most relevant-to-society themes, the year’s second-best opening (got Jaeger’d by the number one), the year’s best panda, and the best one-word BGM track in anime.
Before the episode, a point: Free’s first volume posted a combined BD/DVD sales figure of 25,000 volumes. If this stays above 20,000 copies per volume (it will), it’ll log in as Kyoto Animation’s best-selling TV title since Houkago Teatime planted their feet in London. If it gets a decent second week boost, there’s a non-negligible chance it passes Clannad’s 24,808 average and goes into the studio’s all-time top 5 behind Haruhi, Lucky Star, and the K-ons. Oh, and that mark is generally good for somewhere between the 40th and 60th best selling TV anime of all time. Those are some legit numbers. By accounts I’ve heard, the farm-system novel that birthed Free, High Speed, is playing out fairly directly on the screen and doesn’t leave much room for a sequel. That said, if I were an exec at Kadokawa I’d be doing my best trying to see if I could finagle one in. Remember, ignoring whether or not the ending is open or closed, 50 percent of anime that sell 4000 copies per volume or more get a sequel. I did some garbage calculations with a smaller sample of the 27 non-sequels to sell 20k+ volumes, and found that all but 8 eventually got movie or TV sequels of some kind. That said, 2 of those 8 were Kyoto Animation products.*
Sorry for the incredibly late updates. I’ve had a busy time lately that I’d like to claim is all work’s fault, but it really has as much to do with Valkyria Chronicles 2 and the general greatness of Gatchaman Crowds. Which I’ve rewatched episodes of for hours episode 10 specifically, and is definitely the turning point pushing Kenji Nakamura past the ranks of very, very good situational directors into the tier of “watch me nail this magic trick I’ve never done before,” greats.*
Anyway, I’ll be getting back to writing over this weekend, skipping pics and just dishing my thoughts on the shows I was supposed to be covering** until I’m caught up. Also, look forward to some more crunched numbers; I’ve been running some data on anime adaptations of award-winning manga and the frequency of mecha anime pre- and post-3D mech animation techniques that should be ready relatively soon.
Redline is the best anime movie I have ever seen. By which I mean it is the best anime I’ve ever seen and the best movie I’ve ever seen. While this summer season is certainly one for the books, it’s not delivering anything quite like that movie (and it wouldn’t be fair to ask it to). But because the movie’s now available free on youtube,* and because this is definitely the most fun season to be a part of since subs of the movie became available roughly 2 years ago, I decided to pay tribute by summarizing how everyone’s doing at (roughly) the halfway hash in the words of Sweet JP and co.
[Warning: Spoilers, if that kind of thing bothers you.]