Fun With Numbers: Yozakura Quartet Gets a Sequel for No Apparent Financial Reason

I’m pretty ok with Yozakura Quartet getting its second crack at TV anime this season. It’s a series with a lot of potential; if nothing else, the power to produce machine guns out of thin air that fire when you say bang-bang is a unique one. But the manga is a repetitive criminally slow-paced monthly, the first anime was a hopelessly melodramatic show that failed to top 1000 in average volume sales, and the second, OVA-based anime was a thinly-veiled sakuga showcase. It’s a series that definitely could get over the hump, and clearly people care enough to keep trying.

But why? I’ve got no financial explanation. Given that its season 1 sales were less than borderline and the OVA failed to chart, the fact that it’s still getting anime is impressive and puts it in a very small circle. It’s not that the new series has been promoting the manga like a Blue Exorcist or an Inu x Boku SS either; the 7th volume in 2009 and the 13th volume in 2013 logged near-identical 70,000 volume sales totals. The most popular installment on myanimelist is only about 800th in popularity, so I doubt it’s even a max-money license show. It’s probably one of the 5 or 10 least explicable sequels to be made in the past 10 years. If I ever find out an definitive answer to this question, even if that answer is “passion project funded by the mangaka or the studio”, expect that to be its own article. But right now, there really isn’t one.

Sell Me in 20 Minutes: Kuroko’s Basketball s2 and White Album 2

Last up this Saturday is a pair of mismatched sequels; one to a fun sports show that I expect is going to make up the middle of a three-show sports power triad, and the sequel to one of the most spectacularly derailed, NTR-rich plots I’ve ever known.

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Sell Me in 20 Minutes: Hajime no Ippo: The Rising, Log Horizon, and Ace of the Diamond

Saturday’s slate is, as usual, packed. It’s also, in a less usual twist, clogged to the brim with sports. I’m saving Kuroko s2 for the nightcap, and for now going over the two adaptations of KMA-winning sports manga, old and new.

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Manga Chapter of the Week: One Outs Chapter 141 (Fissure)

Shinobu Kaitani’s One Outs, the story of ace player/owner of the Saitama Lycaons, Tokuchi Toua, is without question the best in an increasingly long list of baseball series I have read to date. It’s set in a professional level, and much like Giant Killing, it features everything that makes pro sports so interesting; contract disputes, arcs of victory and defeat over a long season, and players who are all at least nominally in the top 5% talent-wise (even if the Central and Pacific Leagues are kind of a few miles below the AL and NL). The difference between the two is that where Giant Killing chooses to attack pro sports with realism, One Outs chooses  to fight with showmanship. Toua forgoes all the traditional principles of baseball, getting opponents out at a historic rate with only a slowball/slider and a heaping helping of quick wit in his arsenal. Eventually, a combination of his dominance on the plate and his harsh but performance-based contract makes him filthy rich, and puts him in position to buy out the team his contract bankrupted. And that’s where the real fun, him leading his lackluster team to the pennant, starts. The chapter in question is a part of the Lycaons’ quest for the pennant, as they duke it out with a hilariously top-heavy first-place Mariners team.

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Sell Me in 20 Minutes: Yuusha ni Narenakatta and Strike the Blood

I’m not in any way expecting this Friday to replace Gatchaman Crowds’ level of performance from last season. Kyokai no Kanata and Coppelion are already pulling the bulk of the week’s power hitting closer to Wednesday, but it’d be nice to have at least one show for every day of the week pulling its own weight.

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Sell Me in 20 Minutes: Nagi no Asukara, Infinite Stratos 2, and Kill La Kill

Wednesday was in many ways an unusually strong opening day. Thursday, by contrast, is usually expected to be one of the heavy hitters, largely because it’s the non-weekend day with the largest number of open timeslots. noitaminA doesn’t bring its heavy guns until next week, but there’s still some [nominally] A-list fare on the block.

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Sell Me in 20 Minutes: Coppelion, Kyousogiga s3, and Kyoukai no Kanata

I can’t recall the last time a season opened (not counting Miss Monochrome yesterday because 4-minute shows that aren’t Teekyu and Puchimas can take a hike) with 3 shows I had pegged as high-odds winners in the first day. I can recall the last time a show I had pegged for high odds disappointed me with a breaking tailspin, so the eye test is obviously important here.

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Manga Chapter of the Week: Diamond Is Not Crash Chapter 123 (Highway Star Part 5)

20th Century Boys, and Naoki Urasawa’s work in general, may borrow from popular culture quite a bit. However, he may be ill-matched by Hirohiko Araki, the author of long-runner Jojo’s Bizarre Adventure. If you know of JJBA, you may be aware of the fact that the author regularly copies the poses of fashion models and the everythings of the music industry. He also, midway through the series’ fourth installment, manages to parody the movie Speed. You know, the one where a large number of innocent commuters are stuck on a bus and if the bus goes slower than 50 miles per hour, it blows up? Just replace the bus with a motorcycle and the blowing up with crippling dessication, and you’ve got a pretty good idea of how this arc goes.

The difference? Comedy. Unlike Keanu Reeves, Josuke doesn’t have a radio link to his backup. So when he needs a phone, he resorts to sticky-fingers swiping it from a person who happened to need his to close a million-dollar deal:

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And it doesn’t even work, so he has to break up a marriage proposal too:

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JJBA gets up to plenty of out-and-out ridiculous stuff, but these phone-grab scenes are some of the better examples of it nailing under-the-top comedy with the practiced finesse of an author who’d already been in this business a decade since a decade ago.

Summer 2013 Anime I Dropped: What, When, and Why

I’m a strong believer in the value of 20 minutes of time. Between work, the anime I do watch, the fact that I do play games on occasion, and my ongoing quest to find the next To Heart*, I’ve got plenty of venues to bank my time. There’s no real reason to keep watching a show, even if I’m enjoying it a little, if it doesn’t have at least an upside of being an 8/10 product. What follows is a list of Summer 2013 shows I dropped more or less because of their lack of realistic upside.

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