New Directors: What’s In A Resume?

Aside from perhaps the hair episode of Yami Shibai, the 5-minute preview for Go Nagai’s Robot Girls Z was the most impressive, repeatable five minutes of animation I watched last month. If you haven’t seen it yet, it’s over here. Short version: it’s a 5-minute comedy which, but for the more modern cutesy character designs, could totally have been written by Go Nagai. Its style of humor, featuring excessive violence and heroes doing more damage than the monsters they fight, is what he’s always been all about.

Being that I was excited about the project (this was only the 0th episode), I flew over to ann to check the profiles of the freaks involved. As it turns out, the director, Hiroshi Ikehata, has only ever handled one TV series before (Ring ni Kakero), which isn’t a very good sample size to judge a director on. But he has held the position of episode director numerous times, on all manner of series (from A-Channel to Yuyushiki).

There are no less than 8 new directors making their debut in this Summer 2013 season with similar information about their early careers available.* One of them is Hiroko Utsumi, the director of Free! Others run the quality gamut, from C3-Bu’s Masayoshi Kawajiri to Neptunia’s Masahiro Mukai. And, lest I forget, Shishiou Igarashi made a smashing debut with The Unlimited this winter. It’s definitely possible for first-timers to post veteran-esque performances, but far from guaranteed.

This observation led me to a question; what, if anything, can we glean from a first-time director’s experience in the bullpen? If it that experience is important, what part of it is? Is it better to have worked as an understudy to a great creator on a memorable show, or to build up tons of experience grinding out lots of support roles? To attempt to answer these questions, I pulled up resumes for the 11 directors who first got their hands on a serial anime project in 2012 and combed them over to see if anything in particular was a good indicator of their respective performances. This article outlines a number of the potential performance I examined, some better than others.

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Manga Olympics for Bloggers (Shojo/Josei Round 1c): Undervalued International Female Fans See a Lack of Shojo Anime

I’ve mentioned before how I often I see misconceptions about shojo manga in my group of anime-fan friends. The most common misconception that pops up is that shojo is a one-note genre (rather than a demographic, which it is by definition), but a close second is the assumption that female fans are a small minority among those that follow anime. While that’s somewhat true in Japan, it couldn’t be further from the truth in America. Indeed, female fans may make up the majority of manga buyers in the United States. So why so few shojo anime? I’ve got a take on that.

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