Fun With Numbers: Anime As Manga Advertisments in 2011 (Part 2: The Upper-Limit Baselines)

Update 2 (July 15, 2014): New, more accurate data is here.

Update (Jul 1, 2014): This post doesn’t measure releases in 2-week totals, which turns out to be a huge deal in many, many cases. I’m currently working on an updated version of both this and the other 2011-2012 manga boost posts. Just be aware of that before citing the data from here regarding any one show.

Way, way back, I published an article looking at how anime adaptations produced in early 2012 affected the sales of their source manga. It was interesting data to take a look at, and it was interesting to see which anime really boosted the manga sales. Long story short, there are cases where a manga really jumps from mid-tier to franchise level (Space Brothers, Kuroko’s Basketball, Inu x Boku SS) soon after the anime airs, and cases where the anime doesn’t have much visible effect.

Also way back, I started pulling sales records for manga that had an anime adaptation air in 2011, to get a better idea of how the two media are interrelated. This post contains the second half of that data, specifically the data for which I have maximum constraints for series before they aired, and at least one solid instance of making the Oricon charts afterwards. These aren’t quite the tier of hits in the first part of the data, but they’re more marginal, which makes the charts pretty interesting by themselves.

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Charactology: The Animetics Non-Answer to “Who Was the Best Anime Character of 2012?”

Charactology-2012-r1

There are times when we at Animetics like to slow down, get serious, and look at the finer points of what defines excellence. This, much like our seasonal anime previews, is not one of those features. There’s no objective way of determining who the best anime character actually is, and we don’t claim to be any more accurate than a series of purely random coin flips. That said, welcome to Charactology 2012, the Animetics bracketology-inspired character polling feature.

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Fun With Numbers: Ecchi is not a Growth Industry

One bit of seemingly ubiquitous conventional wisdom is that makers of anime often face a choice between making works that sell and works with integrity. However, one thing I’ve learned over the years is that it’s usually worth taking the time to test conventional wisdom against actual numbers, because it can be wrong fairly often. So I took a look at the performance of Ecchi anime relative to the rest of the market over the past 8 years. Sure enough, the picture is a bit more complicated than “otaku only buy boobs”.

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Manga Olympics for Bloggers (Shojo/Josei Round 1c): Undervalued International Female Fans See a Lack of Shojo Anime

I’ve mentioned before how I often I see misconceptions about shojo manga in my group of anime-fan friends. The most common misconception that pops up is that shojo is a one-note genre (rather than a demographic, which it is by definition), but a close second is the assumption that female fans are a small minority among those that follow anime. While that’s somewhat true in Japan, it couldn’t be further from the truth in America. Indeed, female fans may make up the majority of manga buyers in the United States. So why so few shojo anime? I’ve got a take on that.

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Fun With Numbers: The Second Season is Better!

One statement I find almost as irritating as the ubiquitous “well, in the manga…” in anime discussions is the assertion that “_ gets better in the second season!” Now, sometimes this is actually true, but it’s important to understand that the act of making this statement implies a hefty bias.

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