I took some time recently to look at my favorite anime and suss out a top 20. Always an enjoyable exercise. Also included some brief comments on each one, for anyone who’s curious about that sort of thing.
Update 2 (July 15, 2014): New, more accurate data is here.
Update (Jul 1, 2014): This post doesn’t measure releases in 2-week totals, which turns out to be a huge deal in many, many cases. I’m currently working on an updated version of both this and the other 2011-2012 manga boost posts. Just be aware of that before citing the data from here regarding any one show.
Way, way back, I published an article looking at how anime adaptations produced in early 2012 affected the sales of their source manga. It was interesting data to take a look at, and it was interesting to see which anime really boosted the manga sales. Long story short, there are cases where a manga really jumps from mid-tier to franchise level (Space Brothers, Kuroko’s Basketball, Inu x Boku SS) soon after the anime airs, and cases where the anime doesn’t have much visible effect.
Also way back, I started pulling sales records for manga that had an anime adaptation air in 2011, to get a better idea of how the two media are interrelated. This post contains the second half of that data, specifically the data for which I have maximum constraints for series before they aired, and at least one solid instance of making the Oricon charts afterwards. These aren’t quite the tier of hits in the first part of the data, but they’re more marginal, which makes the charts pretty interesting by themselves.
The Summer 2013 has presented rich discussion fodder, giving rise to a number of interesting talking points. My favorite one is still the one on the merits of the core comedy in high-school life series that Free has sparked. This article is about one of those questions, one which is more complicated than some might think; Why did The World God Only Knows get a sequel? Based sheerly on anime sales, it’s a very risky proposition; season 1 literally just hit the profit line with an average 3000 sales per volume, and season 2 was well below that, averaging only 2117 per volume. If it made any contribution to manga sales, it was one of questionable value. Aside from one special-edition release that came with a bundled OAD, the manga sales don’t show a big jump after the anime airs. It’s a late-night anime, too (aired at 3:20 in the morning), so it’s not getting any help from TV ratings/ad revenue. So why are we looking at the third season of an anime whose second was already on shaky ground?
The answer is that that ground is not, in fact, quite so shaky. Once one considers the additional impact of licensing dollars, some sequels that look like iffy business make a lot more sense.
Based on what I’ve seen of reactions to Free on the internet, it seems like a large quantity of people are ruling it out with one glance at the promo material rather than 20 minutes of episode time. It’s becoming increasingly obvious how much of a shame that is, because this show is complete in ways it didn’t even have to be to be an enjoyable ride.
Full Disclosure: I like making lists. This particular list is the result of an afternoon of me sitting down and trying to list all the anime episode titles I remember. This correlates pretty well with my actual favorite anime episodes, because I’ve seen most of them enough times to remember their titles. When making this one, I set myself a limit at 60 and reached it fairly quickly. After making the list, I actually ranked them. So yeah, had a lot of fun with this one.