First Reactions: Space Brothers Episode 69

This was probably Space Brothers’ best episode in a while. I could have said a lot of good things about it; it plowed through a lot of time awful quickly, it made a pretty fun Terminator reference, Deniel’s retirement was cool, Murakoshi made it to space, Mutta’s getting a spot on a backup crew, and a bunch of other stuff. But, unfortunately, I’ll only remember it for one feature, and not a positive one. In previous episodes, there were instances of light xenophobic attitudes, but it wasn’t a consistent enough thing to be a concrete problem. Too, some non-Japanese were shown in a positive light at various points. But there’s really no justifying this:

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There are two reasons this could have happened. Either the anime staff were totally clueless about what depicting a black person as a gorilla meant (unlikely given the amount of research that’s gone into other parts of the show), or they knew and did it anyway. Either way, it’s stupid and extremely disappointing. I just hope to hell this doesn’t become a regular feature of the show.

New Directors: What’s In A Resume?

Aside from perhaps the hair episode of Yami Shibai, the 5-minute preview for Go Nagai’s Robot Girls Z was the most impressive, repeatable five minutes of animation I watched last month. If you haven’t seen it yet, it’s over here. Short version: it’s a 5-minute comedy which, but for the more modern cutesy character designs, could totally have been written by Go Nagai. Its style of humor, featuring excessive violence and heroes doing more damage than the monsters they fight, is what he’s always been all about.

Being that I was excited about the project (this was only the 0th episode), I flew over to ann to check the profiles of the freaks involved. As it turns out, the director, Hiroshi Ikehata, has only ever handled one TV series before (Ring ni Kakero), which isn’t a very good sample size to judge a director on. But he has held the position of episode director numerous times, on all manner of series (from A-Channel to Yuyushiki).

There are no less than 8 new directors making their debut in this Summer 2013 season with similar information about their early careers available.* One of them is Hiroko Utsumi, the director of Free! Others run the quality gamut, from C3-Bu’s Masayoshi Kawajiri to Neptunia’s Masahiro Mukai. And, lest I forget, Shishiou Igarashi made a smashing debut with The Unlimited this winter. It’s definitely possible for first-timers to post veteran-esque performances, but far from guaranteed.

This observation led me to a question; what, if anything, can we glean from a first-time director’s experience in the bullpen? If it that experience is important, what part of it is? Is it better to have worked as an understudy to a great creator on a memorable show, or to build up tons of experience grinding out lots of support roles? To attempt to answer these questions, I pulled up resumes for the 11 directors who first got their hands on a serial anime project in 2012 and combed them over to see if anything in particular was a good indicator of their respective performances. This article outlines a number of the potential performance I examined, some better than others.

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Manga Chapter of the Week: Hajime no Ippo Chapter 1008 (Heated Comrades)

Some time ago, I ragequit on George Morikawa’s long-running boxing series Hajime no Ippo. It had been on a low streak for a long time, and my favorite character of the series had just gotten cold-cocked in just about the cruelest way possible. I was angry, and, more importantly, kind of just tired. So I closed the book on what was then one of my 5 favorite manga.*

Ippo-1005-10It looked something like this

Recently, with the announcement of a third season for the anime, I resolved to get back to it. Last night, I actually did. Suffice to say it was a 45-chapter marathon session that left me eff-all motivated. Chapter 1008 was the high point of that session, reminding me why I like the main character of this series as much as I do.

One of the big appeals of this marathon is that I got to watch an intense title fight by Vorg Zangief, while watching the main character Ippo and rival Sendo get worked up over it. That’s where the picture above comes from. Now, chapter 1008 picks up after the fight is done and Vorg has taken the title with some very impressive heroics. So what do Ippo and Sendo do to cool off? If you guessed “fisticuffs”, you’d be on-target.

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There’s just something really appealing about guys who love what they do enough that watching something exciting motivates them to get right to work. Welcome back to my weekly lineup, HnI.

*Since then, Natsu no Zenjitsu pushed it just out of my top five. It’s still a fantastic manga.

Midseason Update: This Summer in Redline Quotes

Redline is the best anime movie I have ever seen. By which I mean it is the best anime I’ve ever seen and the best movie I’ve ever seen. While this summer season is certainly one for the books, it’s not delivering anything quite like that movie (and it wouldn’t be fair to ask it to). But because the movie’s now available free on youtube,* and because this is definitely the most fun season to be a part of since subs of the movie became available roughly 2 years ago, I decided to pay tribute by summarizing how everyone’s doing at (roughly) the halfway hash in the words of Sweet JP and co.

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[Warning: Spoilers, if that kind of thing bothers you.]

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First Reactions: Dangan Ronpa Episode 6

Chihiro coming back as an AI was certainly unexpected. Said AI seemed nice enough, though you can never tell with this show. More interesting than either the revelation of the AI’s existence or the fact that it was doing research to find the party responsible for the events of the show was the way characters ended up fighting over him. It makes a certain degree of sense, given Ishimaru’s pretty unstable right now and Yamada’s just like that, but it still feels like a rather silly thing for a major plot point. I guess I would have rather seen the characters just hanging out a bit more ala episode 4 over whatever this was:

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First Reactions: Free! Episode 5

Not that it matters, since the novel Free was based on was in the Kyoto Animation Award contest, but I think they were the perfect studio for this show. Of course, it’s a given that the high-energy swimming scenes would look good.* But the motion-heavy body language is boosting the comedy along with the action. something really pronounced in the one scene where Gou and Amakata revealed they wouldn’t be sleeping outside. Hiroko Utsumi really milked those one-syllable words for all they were worth.

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First Reactions: WataMote Episode 5

This week’s installment of WataMote was probably the most painful watch yet, but offered proof-positive that Oonuma Shin is enjoying the hell out of himself. From the start, where he scattered the character design roughs over Tomoko talking about creating a character, to the ED, where he just straight-up made a viral video for the fun of it, this episode consistently spoke to how much fun the people at Silver Link making this are having.* It’s more fun than Tomoko, that’s for sure.

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Fun With Numbers: Licenses Matter (If You Know Where to Look)

The Summer 2013 has presented rich discussion fodder, giving rise to a number of interesting talking points. My favorite one is still the one on the merits of the core comedy in high-school life series that Free has sparked. This article is about one of those questions, one which is more complicated than some might think; Why did The World God Only Knows get a sequel? Based sheerly on anime sales, it’s a very risky proposition; season 1 literally just hit the profit line with an average 3000 sales per volume, and season 2 was well below that, averaging only 2117 per volume. If it made any contribution to manga sales, it was one of questionable value. Aside from one special-edition release that came with a bundled OAD, the manga sales don’t show a big jump after the anime airs. It’s a late-night anime, too (aired at 3:20 in the morning), so it’s not getting any help from TV ratings/ad revenue. So why are we looking at the third season of an anime whose second was already on shaky ground?

The answer is that that ground is not, in fact, quite so shaky. Once one considers the additional impact of licensing dollars, some sequels that look like iffy business make a lot more sense.

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First Reactions: Space Brothers Episode 68

This week’s episode of Space Brothers started out as a revisitation of the awkward/adorable humor that characterized the show early on. Mutta showed up early while fumbling a sizable, unwieldy package. Apo, always the adorable mascot, got his licks in in an adorable perspective-swapping moment with the hot dog. But the comedic star of this episode was Hibito, who ended up having to poker-face up and deal with a fad of his own creation after considerable grumbling.

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First Reactions: Dangan Ronpa Episode 5

Monokuma’s background antics made this episode. But there was definitely a lot to like elsewhere.

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Somewhere out there, a terrible writer is making a joke about not being allowed to bring pot in a courtroom

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