No matter what happens in the ending of Psycho-Pass, Urobuchi Gen and his star power will get too much credit, and the director, Katsuyuki Motohiro, will get too little. Considering this episode was almost all dialogue, half of it internal, it’s easy to see how the things it’s doing visually right will be overlooked.
Blast of Tempest is a very entertaining show, but sometimes it makes odd choices that don’t really seem consistent with how good it’s capable of being. This was, by and large, a solid episode, but also a reminder of how peaks-and-valleys the show can occasionally be.
In the first installment of what we hope will be a semi-regular affair, Sam and I sit down to discuss a pair of manga centered around corrupt governments. The first is the absurd quiz-show-governed society of National Quiz (Tabata Yoshiaki and Yugo Yuugi), under threat from a rebellion led by its most popular quiz-show host. The second is the facsimile of modern Japan, vis-a-vis Akumetsu (Sugimoto Reiichi and Katou Shinkichi), which is being threatened by the series’ titular masked terrorist.
Note: This segment is spoiler-heavy, so if you don’t want to be spoiled on the plots of two great manga, read them first!
When I saw the first couple episodes of Blue Exorcist, I got the impression of a show that would be right at home on adult swim. It had flashy priests vs. demons action, decent drama, and a somewhat over-the-top plot (satan’s son on a quest for revenge against dear ol’ dad). That is pretty much how it played out, and the result was a notable, if imperfect show in one of the greatest seasons in recent memory.
Key art always looks like this, but A-1 makes the actual show look almost as smooth
Recently, on an expedition through the netherworld of discount stores where old anime go to rust, I happened on a 2$ clearance copy of Tenchi in Love, i.e. the movie of the Tenchi Muyo franchise. I had enjoyed the anime on Toonami when it was on, and though I never made a serious effort to finish it, I was familiar enough with the characters. I also recently enjoyed the spin-off series, Isekai Seikishi Monogatari, and had heard recent scuttlebutt that this movie was a fairly solid piece of work. To boot, it was sporting labels from multiple clearance stores, something that plays on a fundamental portion of my nature as a regular customer of such stores. So I sunk eight gumballs’ worth of cash into the poor little Geneon dub, and popped it in my dvd player a week later. Before doing so, I got out one cookie to eat. 30 minutes later, that cookie lay untouched beside me, which is your first clue as to how I feel about this movie.
Presenting a discount hunter’s wet dream
Last week’s episode wrapped up a particularly fine retelling of an originally dull story arc. This week, it’s back to that massive cliffhanger Shishiou Igarashi left us with in episode 6. That’s right; it’s time to open… Pandora’s Box. … Anyway.
Remember how I said that part of the reason I like Manabe is that he doesn’t do the whole “I’m not in love with her, even though I obviously am” thing? Yeah, that’s what he did this episode. 
The first half involved Kotoura being sick, which led to an interesting plot point where it appears that she has lost her mind reading powers, at least for the moment. It hasn’t really gone anywhere except a few jokes where Manabe thinks perverted thoughts and is surprised when Kotoura doesn’t react, 
Justifiable with thoughts like these (Queen’s Blade reference #1)
But it was a solid premise and we got some character development. The second half involved Kotoura and Manabe going on a date together and once again we get some okay jokes, but it was pretty solid overall. 
Queen’s Blade Reference #2
Jeez, with all this happiness, we might finally see the characters getting better! Its so nice to see that they won’t have to deal with anymore drama 
GODDAMNIT
Yes, the drama is coming back with a vengeance; the next episode preview makes it seem as though we’re going to see an investigation of a murder and the reappearance of Kotoura’s mother. I have to say, I was not expecting this; maybe a confrontation with the mother or something, but not a murder mystery. It will be interesting to see how Kotoura pulls it off. This episode seemed to be filler, but this is the good kind of filler: one where we get some good character moments and funny jokes as well as give a little break from the drama of the show.
Here’s a somewhat open-ended question: what’s the best way to open an anime with a complex plot?
There’s a lot of information the user needs to absorb, so maybe they start with a quick opening narration to offload info about the world? If not, then what about a character going about an average day in this complex world, to make it seem more normal? Is it possible a battle right off the bat would make things more exciting? I argue that the best method is none of these, though it does take some of the better elements from each.
Episodes of Space Brothers generally fall into 3 categories. First, you have the ones detailing Mutta’s progress as an astronaut. Second, you have the ones dealing with Hibito’s career and missions. Lastly, you have the interlude episodes which serve to establish and build the series’ diverse, while introducing ideas that will become important later. This episode was of the latter variety, and raised some interesting specters lurking in the series’ future.
If you know anything at all about manga, you’ve probably heard the name Weekly Shonen Jump before. Armed to the teeth with megahits like One Piece, Naruto, Bleach, and Toriko, it stands undisputed atop the manga industry. But did you ever wonder how that dominance came to be, or why it’s been largely unchallenged for upwards of 20 years? Here’s a hint: it’s no accident.
Animetics 
