I had been a fan of the Nodame Cantabile manga for a good 2 years when, in 2010, the manga unceremoniously ended for health reasons of the author. When this happened, I raged. I had had so many hopes for where the manga was going, what it could do with all the characters and the relationships still underdeveloped, to say nothing of the fact that the main couple had yet to perform together on an international stage together. All this potential greatness was being wasted. And I stewed on that for a while, and I realized that it didn’t matter.*
First Reactions: Dangan Ronpa Episode 3
Dangan Ronpa is so damn campy. But I love campy. So I love it. In all seriousness, there was a choice to be made when this anime was adapted. The staff could take the source material and turn it into a serious work about a bunch of teenagers forced to kill each other in a sadistic game they’ve been trapped inside of. Not that that genre is at all saturated. Or they could just make an anime that celebrates the already zany source material and went wild with the game-adaptation portion. There were plenty of points this episode where I found myself thinking “oh yeah, this is a game adaptation”, but there were exactly zero where I found myself minding.

Fun With Numbers: Was Aku no Hana Commercially Successful?
“[…] Nagahama says he’s well aware that a lot of people will go “what the fuck” and “this is gross,” “I hate this, I’m not watching this.” But he’s pretty much okay with that, too, because he thinks it’s fine as long as it leaves an impact on people. Viewers may dismiss it right away, but some may check it out later and find it interesting, or they may come across the manga, recognize the title, and read that.”
-excerpted from this animesuki translation of an interview with Hiroshi Nagahama, director of Aku no Hana.
That may seem provocative, but it’s actually a fairly common philosophy in the business of anime for a publisher to fund a loss leader, in this case an unprofitable anime that stimulates manga sales. There’s quite a bit of evidence that this can work, though anime serving as a commercial for the manga generally has to stand out to drive up manga sales. I believe numbers inform the debate, so it’s worth taking a look at how that gambit played out.
Indeed, the eighth volume of Aku no Hana, the first one out after the anime aired, showed a little over double the sales of the first volume. So there’s a pretty strong case that the anime got the manga more attention. The more interesting question for me is this: in the face of seemingly abysmal sales of the anime’s first volume set to come out in late July, could the increased sales of the manga still make the anime successful? For the purposes of this article, “successful” means that it produced a gross profit equal to its production budget.
First Reactions: Free! Episode 3
It’s pretty standard for school life anime about high school clubs to devote at least one episode into persistently recruiting a new member, so this more generic premise made the episode a good point of comparison with other shows in the genre. It’s a testament to the man writing it that the garden-variety setup elevated the show and set an appreciably high baseline.
Fun With Numbers: Critical/Casual Slants
It’s one of the oldest conundrums in the anime fandom that the shows that get the most attention are often not the best-made shows, the ones that blow people’s minds when they see them. In a vaccum, that’s pretty confusing; shouldn’t we be giving the most attention to the shows we’ll enjoy the most? Why do some shows get high ratings and languish in the proverbial basement popularity-wise while others get abyssmal scores but receive tons of attention? I found a quick and dirty way to dig into this problem using my set of seasonal anime data and got a set of results that was equal parts depressingly predictable and pleasantly surprising.
Summer 2013 Slaparound: Uchoten Kazoku Week 2
Drew: Uchoten Kazoku might seem to some to be a far-out series. For me, it’s attacking fairly familiar territory, just doing it using tanuki stuck in frog-shaped polymorphs instead of humans in mundane lifestyles. I think it’s less artsy fare with a message and more much closer to a character-driven slice-of-life drama that happens to involve smooth, fancy animation. And I’m loving it so far. It’s obviously still got places to go and things to develop, but I think it’s a 7/10 if the two episodes that came out so far were a stand-alone ova series, which is pretty good in my book.
First Reactions: WataMote Episode 2
The biggest potential pitfall for WataMote as a show is that it is essentially one joke retold countless numbers of times. However, the series’ greatest strength is that it’s made by people who understand exactly what that means for a comedy.
First Reactions: Space Brothers Episode 65
Space Brothers is back again to make a joy-crowded summer even better. It’s packing a new opener and the return of a old acquaintance, so you know it’s gonna be good.
Just like that pancake
Summer 2013 Slaparound: C3-bu Week 2
Sam: So this might just be my favorite of the season so far, of what little I have watched. I went in expecting little, but the way that the airsoft battles are staged are everything that I have ever wanted in these kinds of things: interesting, varied, and awesome. So far I haven’t been liking the drama though. It brought up the idea that Yukochan is lonely and wants friends, but the way that it presents it makes me feel less like the group is destined friends and more like Yukochan is slightly emotionally damaged and C3-bu is just there at the right time. Still, when the airsoft battles start, everything just clicks.
Manga Olympics for Bloggers (Shonen/Seinen Round 2): Similar Brothers, Different Paths
So I’ve been reading Adachi Mitsuru’s Touch in the past couple of weeks. My opinions on it are more or less public record. The original reason I got started on it was to do a serious rundown of all the baseball series I knew of (since talking about baseball manga without mentioning Touch would be like talking about great basketball players and not mentioning Bill Russell). However, an interesting theme constantly showed up in that manga that I’ve seen in another series, Space Brothers.* Namely, both series focus on a relationship between two talented brothers who take their talents in different directions. And both do a fascinating job of exploring what caused those brothers to walk their separate paths.

