Halfway through this episode, I got the feeling that this was going to be the last semblance of a lull episode in the show before it ran down climax alley. And it did a good job, at both being a lull episode and fooling me into thinking not much else was going to happen in the b-plots. Boy, was eye ever wrong there.
This show really does love to depend on new character introductions to provide a weekly hook. At first I was doubtful as to whether or not it was really feasible for a small-world type of show with only a few characters shown in the opening/on the boxart to maintain this approach for a full 13 episodes. This week was going to be critical, since every character from the opening had finally been introduced. So the makers this show faced a choice; if they didn’t want to lose their momentum, skim the bottom of the barrel or start building deeper relationships around the current cast.
Or do both at the same time, what do I know?
I typically haven’t been interested in the battles this show has had. And this episode wasn’t really an exception. Still, it was more enjoyable than previous ones because it toyed with my expectations a bit more.
Last week set up for a massive, large-scale confrontation between Arata and Kadowaki as an ostensible climax of the show. However, Arata had just entered an entirely separate hostile territory (the water god’s) at the time, so this confrontation was undoubtedly still several episo-
That was quick
That the show opened with a bizarro dream sequence was interesting, a nice little noirish contrast with the rest of the show. It says something about the rich flavor of Muromi-san’s oddball comedy when a dream sequence about deep-frying and eating a mermaid is less bizarre than the rest of the show.
And they say fish can’t fry…
Colossalcon 2013 was beyond awesome. Thanks to everyone who came to one of our panels. We had a blast and learned all about why Kamen Rider and Idolm@ster have the best fanbases. Now back to your regularly scheduled anime blog!
I feel like the entire staff of AIC Plus ate some infected raw cookie dough or something about midway through episode 6’s production and didn’t get better before making the second half of this episode, because it was *such* a return to form for the biggest trio of bros in anime production.
If I were a fantasy villain and my opponent was a Japanese teenager wielding a sword literally destined to conquer all and unite the world, I’d really just give up and retire to a beach to sip pina coladas while I still had assets to leverage into a nice beach house. But professionals have their pride, and they’ve at least got to put on a show before going down in flames. Too, their plan at least involves an equally legendary sword and a man determined to do his job.
Not to say you would guess that was what the episode was about from the first fifteen minutes. Instead, we got the Japan-side episode I’ve been waiting for since the show started. And a double helping of wayward sons getting slapped by their parents.
It’s pretty clever that this show waited until the episode dealing with aliens to take a page from Japan’s most popular sci-fi franchise. A little bit of Doraemon flavor goes a long way.
Plus, the gags are all stretched to just the right length
The thing about a Kishi Seiji series is that each moment is like casting a die; it could be great or it could be garbage. This episode was a pretty good example of that principle in a nutshell, as it suddenly pulled competency out of nowhere and ended up being pretty fun to watch.
After a table tennis-induced hiatus, it’s finally time for Arata Kangatari to get back to business. Did it use that extra week effectively and keep up with the hot streak it ignited in episode 6? Would the momentum in otherworldly politics carry over to the school life part of the show?
Gonna go with yes