A pair of articles about 4kids entertainment, the first about their plans for One Piece, and the second about fan demand for uncut versions of other shows.
US amazon data may not be a perfect source, but it is a very interesting one, with a lot of organic components. I’m just about done collecting data for March releases (data for the 18th will be up when my schedule permits, data for the 25th still needs to be collected), and while these datapoints have managed to shed some light on a few of the narratives I pulled out of the February data, they’ve also raised still more interesting threads to be explored.
That means it’s in my best interests to continue collecting data both to broaden the sample and to give predictions a viable testing ground. All numbers posted here were collected on March 25th, via amazon’s upcoming anime releases page, one week before the earliest releases on the list.
Note: The price I note is the series’ MSRP price. If the series becomes listed at more than 50% off that price at any time during the amazon solicitation, I will note that both now and during the final analysis. The February part 1 release of Robotics;Notes had such a discount, along with Psycho-Pass and One Piece (all Funimation releases, which is probably noteworthy at this point).
In the interest of not posting all the tank data in a horrible confuse-a-gram like the one for the February data, I’ll be posting the 1 week before-and-after amazon rank results for the March data after I’m done collecting it. Additionally, I’ll be posting updates on an interesting finding I’ve had with the data for a particular series that will likely help me nail down the worth of the lower (100,000th or worse in movies and TV) ranking numbers.
How will I do that? Aria the Natural’s part 2 release was low-stocked and has not been purchased frequently. That means that, each day, the amazon page displays the total number of disks in stock at that time. This means I can use the daily decline (or lack thereof) in daily stock to determine how much its approximate ranking is worth in terms of daily sales. Emphasis on “lack thereof”:
This is a strong indication that places worse than 120,000th correspond to 1 or fewer purchases per day, which is an extremely useful bit of information. Whatever the eventual shape of any amazon-rank-to-sales fit ends up being, it should probably approach zero for rank values of that size. Also, it makes a handy cutoff point for measuring sales longevity; # of days above 120,000th place can be used to compare with series release-period sales peak as an important alternative measure of success. Selling 3 copies over 100 days is better than selling 10 copies in 1 day and 0-1 in every other.
Graphs of each of the eleven March 4th releases tracked over the past 2 weeks are shown after the break. I’ll save commentary for the end of the month, when I have at least the complete sample to work with, and at best a reasonable fit for the ballpark each series’ ranking is in in terms of total sales.
Way back in December, I started a rough, bare-bones look at a bit of publicly available data; US Amazon TV/Movie bestseller list rankings for anime releases. That data collection is mostly done, pending K’s release this Tuesday, and it yielded some potentially interesting nuggets (expect that summary post to happen before this next weekend). Enough so that I plan to do the same at least for the month of March. This is a list of the releases I’ll be tracking over the next 30 days, with their release dates, prices, and initial rankings. All series were accessed via amazon’s upcoming anime releases page.
Two points before the list itself:
-I compiled my February list too early (several titles were only announced for release after I built my list), and missed the opportunity to track some releases that way. Since most titles tracked in the February sample were relatively steady and very low on the list until a week before release (save for Robotics;Notes’ ridiculously discounted edition), I’m going to start tracking monthly rankings approximately one week prior to the first set of releases from now on.
-The price I note is the series’ MSRP price. If the series becomes listed at more than 50% off that price at any time during the amazon solicitation, I will note that both now and during the final analysis. The February part 1 release of Robotics;Notes had such a discount.
The Animetics podcast is back! Albiet with apologies for our primative recording software and about 200% more duwang. This week, Drew and Sam spitball on some moderately interesting news, one piece of really interesting news, and Hirohiko Araki’s favorite installment of his all-time-top-ten manga franchise.
This past year, viz media pulled off a first for the non-Japan manga industry. I’m referring to Shonen Jump Alpha, a digital “magazine” offering same-week release of the chapters of some 11 Weekly Shonen Jump manga. It’s pretty cool, and at 26$/year for 48 issues (and a buck per back issue), it’s not a totally unreasonable subscription fee. But that specific business model, one of same-week releases for official translations, is unfortunately not something that’s likely to be transferable to the majority of manga. Especially seinen and josei series with smaller fanbases. If you’ve ever wondered if the manga translation industry will catch up to where the anime industry is now with simulcasts, this article discusses the depressing reality of the situation and why such an outcome is relatively unlikely.
I kind of understand why Space Brothers has a huge overlap with fandoms of various battle series. One, it’s an objectively good show with very understandable messages. Two, it’s been on crunchyroll for a year, so it’s had plenty of time to catch the eye of the people who come there for Naruto (i.e. the majority of users). Three, similar to a good battle series like Hunter x Hunter, it can set an arc based on a very rigid set of rules and ideas, but grow very complicated very quickly, while being a thrillfest the whole way. The sealed-capsule arc was a great example of that approach in action, as was the more recent lunar-crash arc. The comeback competition is really just the latest example, this time featuring Engineering, but knowing that it’s somewhat formulaic doesn’t make it any less exciting to watch.
Bonus points for viewers who happen to have built a robot before
If you know anything at all about manga, you’ve probably heard the name Weekly Shonen Jump before. Armed to the teeth with megahits like One Piece, Naruto, Bleach, and Toriko, it stands undisputed atop the manga industry. But did you ever wonder how that dominance came to be, or why it’s been largely unchallenged for upwards of 20 years? Here’s a hint: it’s no accident.