noitminA Has Nothing on the Nihon TV Tuesday 24:50 Slot

One of the fruits of digging into the adaptations of manga produced in 2011 has been a treasure trove of TV anime ratings data. Which, in turn, holds heaping helpings of unrelated but utterly fascinating information.

My favorite tidbit so far? Timeslots that get designated to run a certain kind of show are much more prevalent than I, at least, had thought. People may deify noitaminA for its stellar pre-Fractale record, but if you want to talk anime-focused timeslots with godly 7-year runs, there’s at least one very prominent contender. The Nihon TV 24:50 timeslot (plus/minus 10 minutes, depending on the quarter) hosted the following shows from 2000 to 2011:

Show Title (Airdates) (Ratings for First Episode)

Hidamari no Ki (2000-04) (3.2)
Hajime no Ippo (2000-10) (4.8)
Tenchi Muyo GXP (2002-04) (4.3)
Hanada Shounen-shi (2002-10) (3.1)
Air Master (2003-04) (4.4)
Captain Harlock [TV Airing of Endless Odyssey OVA] (2003-10) (3.4)
Gokusen (2004-01) (3.8)
Monster (2004-04) (3.2)
Akagi (2005-10) (2.4)
Ouran High School Host Club (2006-04) (2.1)
Death Note (2006-10) (3.4)
Buzzer Beater (2007-07) (2.5)
Kaiji (2007-10) (3.2)
Real Drive (2008-04) (2.0)
One Outs (2008-10) (2.5)
Souten Kouro (2009-04) (2.6)
Kimi ni Todoke (2009-10) (2.8)
Rainbow (2010-04) (2.2)
Kimi ni Todoke [cut reair] (2010-10) (2.1)
Kimi ni Todoke Season 2 (2011-01) (2.1)
Kaiji Season 2 (2011-04) (2.3)
Chihayafuru (2011-10) (2.4)

Note in particular the period from 2004 to 2011. That’s some serious all-around ass-kicking, a double whammy of ratings that aren’t bad (especially for 12:50 in the morning) and maximal critic-pleasing potential. By all accounts, this timeslot is currently plugged; Chihayafuru’s second season aired at 25:59, and I can’t find anything currently airing in it. But still, phenomenal run. I guess I’m adding timeslots to the list of industry-related things that really ought to be looked into.

Edit: Corrected the title to reflect the actual day of the timeslot.

First Reactions: Arpeggio of Blue Steel Episode 7

One of the fun things of reading a manga or watching an anime that didn’t start out with a rock-solid grasp of its own identity is the sometimes-futile-but-always-amusing attempts to meld a bunch of disparate elements together into something that feels like a complete product. Maybe it’s just that I prefer mixed genre shows to pure cases of one element, but I, at least, gravitate towards shows that have that organic feel. It’s one of the reasons I like mid-tier monthly manga so much; between their loud, energetic character types and their solid+ grasp of visual techniques, they hold a little more intrinsic cohesion than the field. Put another way, you can mix vastly disparate genres provided your characters are amusing and your visual acumen is there.

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Hence the candid camera

And this was the week Arpeggio really flashed its chops in that regard. Already having solidly established the show in the naval combat department, the Kishi/Uezu team really embraced the harem comedy components of the show this week, and the result was pretty much up to their track record, an effective combination of character-centric gags that cleared the air after last week’ darker dramatic turn.

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First Reactions: Samurai Flamenco Episode 6

Insofar as this show appears to be attempting to dial up the zany each week, this episode’s chase scene/gadget showcase definitely qualified as an upgrade in that department. For one thing, chase scenes are just intrinsically great ways of continually feeding tension, and the stakes (Masayoshi’s identity against 10 million yen) were plenty high. For another, there’s something intrinsically fun about watching a guy casually dodge bodies while talking on the phone.

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First Reactions: Kyoukai no Kanata Episode 7

This week Kyoukai no Kanata decided to start facing up to some of the loose ends it dropped during the Hollow Shadow arc. One of them, Sakura’s murky quest for revenge, was more or less fully dealt with. After a little bit of action, it became clear that a) she was totally outclassed by Mirai and b) she wasn’t so much hell-bent on revenge as she just needed an outlet for her grief. It was fairly refreshing how they wrapped things up quickly and didn’t force the miscommunications any longer than they had to.

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First Reactions: Arpeggio of Blue Steel Episode 6

Though this week’s episode featured a battle about as explosive as the rest of them in the series, it lacked the punch of episodes 2 and 4. The main reason for that is that, while the first two battles were tactical affairs that featured Iona’s crew out-clevering a superior force, this fight consisted mostly of Haruna holding off ground forces with a nanomachine double and some magic force fields. And some scenes of Kirishima fighting as a stuffed bear; to be fair, that was a pretty cool usage of a character who was overacted in the first place.

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This week also saw a wrapping-up of the mini-arc featuring Haruna, Kirishima, and Makie’s newfound friendship. The whole arc was pretty standard “aliens befriending humans” stuff, and I don’t have too much to say about that. It’ll be interesting, though, to see how those three mesh with Iona’s crew as they all head towards where Takao is now being presumably imprisoned.

Midseason Update: This Fall in Kaiji Quotes

In Fall of 2007, I was very much a beginner at anime. I’d explored the discount stores in my neighborhood and encountered some very interesting, engaging titles, but I wasn’t any kind of plugged in to what stuff was current. One series changed all that, basically on its own.* Gambling Apocalypse Kaiji was the complete package in so many ways; tense, human drama, a rich cast that skirted the line from likeable to detestably inhuman, tight direction, idiomatic yet pithy dialogue, and the best narrator in anime bar none.

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Those last 2 attributes also make the show handy for an alternate purpose; rampant quotation abuse! There’s a Kaiji quote for everything, and the Fall 2013 anime season is no exception. In celebration of the show’s free availability on crunchyroll, let’s break it down.

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Fun With Numbers: Anime As Manga Advertisments in 2011 (Part 2: The Upper-Limit Baselines)

Update 2 (July 15, 2014): New, more accurate data is here.

Update (Jul 1, 2014): This post doesn’t measure releases in 2-week totals, which turns out to be a huge deal in many, many cases. I’m currently working on an updated version of both this and the other 2011-2012 manga boost posts. Just be aware of that before citing the data from here regarding any one show.

Way, way back, I published an article looking at how anime adaptations produced in early 2012 affected the sales of their source manga. It was interesting data to take a look at, and it was interesting to see which anime really boosted the manga sales. Long story short, there are cases where a manga really jumps from mid-tier to franchise level (Space Brothers, Kuroko’s Basketball, Inu x Boku SS) soon after the anime airs, and cases where the anime doesn’t have much visible effect.

Also way back, I started pulling sales records for manga that had an anime adaptation air in 2011, to get a better idea of how the two media are interrelated. This post contains the second half of that data, specifically the data for which I have maximum constraints for series before they aired, and at least one solid instance of making the Oricon charts afterwards. These aren’t quite the tier of hits in the first part of the data, but they’re more marginal, which makes the charts pretty interesting by themselves.

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Animetics Podcast: Crunchyroll Manga and Jojo’s Bizarre Adventure (Part 4)

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The Animetics podcast is back! Albiet with apologies for our primative recording software and about 200% more duwang. This week, Drew and Sam spitball on some moderately interesting news, one piece of really interesting news, and Hirohiko Araki’s favorite installment of his all-time-top-ten manga franchise.

Download: http://www.mediafire.com/download/ktkjzt2yych3bc3/Animetics_Podcast_4-CR_Manga_and_JJBA_Part_4.mp3

Listen Online: http://www.mediafire.com/listen/ktkjzt2yych3bc3/Animetics_Podcast_4-CR_Manga_and_JJBA_Part_4.mp3

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First Reactions: Samurai Flamenco Episode 5

There are a couple of primary rules to following modern anime that I’ve discovered since first getting into it in 2007, something I feel I should mention because I violated one of them last week:

1. Never count out a show before it airs. It doesn’t matter if the studio, staff, and source material are all seemingly dog meat, miracles happen more often than you’d think.
2. Dropping anything new after 1 episode is perfectly acceptable. Shows that don’t have a gripping intro in today’s ultra-competitive market are the ones missing a beat. If they don’t care about themselves, neither should I. The inverse is not necessarily true; a good first episode means a lot more than a good third episode, where the staff can afford to throttle down for the sake of a particular story because they know they have their audience.
3. 90% of all game adaptations are bad according to people who played the game. Not so much for manga, where plenty of anime staffers have gotten absurd amounts of praise for storyboards that were basically carbon copies of their award winning source material.
4. Don’t expect people to like or hate the same things you do. Learn to love the party going on around a show or just leave it alone.
5. Doubt Takahiro Omori, Kishi Seiji, Kenji Nakamura, and Taniguchi Goro, under any circumstances, at your own peril. Though they don’t always hit home runs, they can do anything, they’ve proved it, and they just keep grinding like they’re playing Dragon Quest and unmade anime are a bunch of hapless slimes.

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True to form, Omori and writer Hideyuki Kurata didn’t take long to go from the introduction of Flamenco Girl’s clashing colors to weave her and the consequences of her actions into the larger tapestry of circumstances. Now she’s been humanized, the cast in general has matured, and we’re set with at least 3 or 4 new emerging plot and character threads that ought to keep things fresh perhaps even to the halfway point.

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First Reactions: Kyoukai no Kanata Episode 6

Kyoukai no Kanata’s 6th episode was very heavily reliant one particular scene, repeated, many, many times. And, fortunately, to great effect.

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I’m 100% behind an episode where the cast manages to fail in increasingly hilarious ways. In comedy, there’s a big gulf between the skill at which people can tell the same joke over and over again. This style of joking can go South real fast; when a writer is bad at repeating his or herself, you get a formulaic example of characters running through the motions, something that ultimately comes across as an episode that could as well be cut from the series. It’s the prototypical filler episode, and nobody likes it. But that’s not what we saw here; I had a lot of fun with the group’s attempt to take down the pus-spewing roof vegetable with eyecandy and sneak attacks that proved futile for a cornucopia of reasons..

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