Despite the fact that this episode featured a rocket launch of sorts, it was very much a lull episode. Events were treated with little fanfare and passed by quickly. No surprise here. This show is far too polished to waste time building up obvious fakeouts.
Tag Archives: Anime
First Reactions: Devil Survivor 2 Episode 10
Colossalcon 2013 was beyond awesome. Thanks to everyone who came to one of our panels. We had a blast and learned all about why Kamen Rider and Idolm@ster have the best fanbases. Now back to your regularly scheduled anime blog!
I feel like the entire staff of AIC Plus ate some infected raw cookie dough or something about midway through episode 6’s production and didn’t get better before making the second half of this episode, because it was *such* a return to form for the biggest trio of bros in anime production.
First Reactions: Arata Kangatari Episode 8
If I were a fantasy villain and my opponent was a Japanese teenager wielding a sword literally destined to conquer all and unite the world, I’d really just give up and retire to a beach to sip pina coladas while I still had assets to leverage into a nice beach house. But professionals have their pride, and they’ve at least got to put on a show before going down in flames. Too, their plan at least involves an equally legendary sword and a man determined to do his job.
Not to say you would guess that was what the episode was about from the first fifteen minutes. Instead, we got the Japan-side episode I’ve been waiting for since the show started. And a double helping of wayward sons getting slapped by their parents.
Animetics Podcast: Kickstarting Anime and Speculation
In the long-delayed second episode, we talk about Kickstarter. More specifically, we start by discussing anime and manga it’s funded already, and use what numbers we have (mainly myanimelist statistics) to wildly speculate on what else might be a viable candidate for a Time of Eve-style international BD release.
Show Length: 59:40
(Timestamps for each segment in parentheses)
Kick Heart (1:01)
http://www.kickstarter.com/discover/categories/animation/most-funded?ref=more#p1
http://www.crunchyroll.com/anime-news/2013/05/27/video-latest-kick-heart-anime-trailer
Time of Eve (4:07)
http://www.kickstarter.com/projects/693293489/time-of-eve-the-movie-on-blu-ray/posts
Kickstarting Manga (6:20)
http://www.kickstarter.com/projects/kansaiclub/limited-edition-translation-of-osamu-tezukas-the-c
Other anime realistically kickstartable (7:29)
-Refer to list after break for data
The “Almost Certainly Would Get Funded” Group (9:02)
The “Maybe But Maybe Not” Group (21:48)
The “Probably Not Actually Happening” Group (44:00)
Anime Sols and the viability of other sites to crowdfund anime (52:14)
http://animesols.com/series?search%5Bmeta_sort%5D=popularity.desc
Fun With Numbers: Inu x Boku SS and Anime As a 20-Minute Manga Commercial
Following up on the impressive (well, to me) discovery that Inu x Boku SS is Square Enix’s top manga, I had another thought. It went something like this; “Well, that anime was pretty darn good, and I know it sold a fair amount of Blu-Rays. I wonder if that has anything to do with how successful the manga is right now?” And so I took to the Oricon rankings, checking for shows from Winter and Spring 2012 that came from manga source material, and looking to see if they experienced a boost in sales. So I put a lot of numbers into a lot of spreadsheets, got distracted by the Saurday anime slate, and made a lot of graphs. If you’ve ever wondered why manga publishers sponsor anime, this should be an entertaining read.
So. Much. Paper.
First Reactions: Muromi-san Episode 9
It’s pretty clever that this show waited until the episode dealing with aliens to take a page from Japan’s most popular sci-fi franchise. A little bit of Doraemon flavor goes a long way.
Plus, the gags are all stretched to just the right length
First Reactions: Space Brothers Episode 60
I kind of understand why Space Brothers has a huge overlap with fandoms of various battle series. One, it’s an objectively good show with very understandable messages. Two, it’s been on crunchyroll for a year, so it’s had plenty of time to catch the eye of the people who come there for Naruto (i.e. the majority of users). Three, similar to a good battle series like Hunter x Hunter, it can set an arc based on a very rigid set of rules and ideas, but grow very complicated very quickly, while being a thrillfest the whole way. The sealed-capsule arc was a great example of that approach in action, as was the more recent lunar-crash arc. The comeback competition is really just the latest example, this time featuring Engineering, but knowing that it’s somewhat formulaic doesn’t make it any less exciting to watch.
Bonus points for viewers who happen to have built a robot before
Fun With Numbers: Inu x Boku SS and Square Enix Doing Something Right
So yesterday morning, I was reading through the newer articles on ANN, when I spotted one that piqued my interest: a comics ranking with Inu x Boku SS’s ninth volume at the top. I didn’t spit out my coffee*, but that was a fairly surprising result. And this wasn’t getting to the top in a total off-week, either. It sold about 220,000 volumes, more than the next two new volumes on the list (Deadman Wonderland 12 and Blast of Tempest 9) combined. That put it near the top, if not *at* the top, of the manga Square Enix is currently publishing. So I started to wonder; considering this company was publishing Fullmetal Alchemist just a few years ago, isn’t this kind of a notable downgrade? The answer, unearthed after some digging, was several kinds of interesting.
Though nowhere near this interesting
First Reactions: Devil Survivor 2 Episode 9
The thing about a Kishi Seiji series is that each moment is like casting a die; it could be great or it could be garbage. This episode was a pretty good example of that principle in a nutshell, as it suddenly pulled competency out of nowhere and ended up being pretty fun to watch.
Instrumental Anime Openings and Why They’re Analogous to Experimental Anime
Instrumental anime openings are fairly rare. So I decided to take a look at the ones I knew. As usual when I examine a list of more than ten things, a few points jumped out at me. So I thought I’d share.
Short version: Instrumental openings often succeed. Because they try harder. They have to; they’re taking a risk, going against a current that carries lots of proverbial fish. And also because the people who tend to take that risk generally tend to be talented people. But they’re not a guaranteed winner for a show by any means.



